Enos, Theresa and Keith D. Miller; with Jill McCracken (Eds.). Beyond postprocess and postmodernism: Essays on the spaciousness of rhetoric. Mahwah, NJ: Erlbaum (2004).
This collection centers on a discussion of Corderian Rhetoric (Jim Corder), a rhetoric that plays between narrative, creative nonfiction, expressivism, classical rhetoric, and academic discourse, asking in various essays how this rhetoric can impact the field’s scholarship and teaching. It looks to see how the field might begin to value nonacademic, nonprofessional writing and rhetoric, including expressive writing, seeing it as something to be practiced and theorized as a legitimate way of knowing.
Corder advocates dialogic rhetoric with the goal of discussion and dialogue instead of “winning” an argument.
Quotes and Notes
A collection inspired by and dedicated to Jim Corder (“Argument as Emergence; Rhetoric as Love”); Corderian rhetoric, pushing boundaries of academic/nonacademic rhetoric, style – a combination of classical rhetoric and expressivism
“Certainly, rhetoric and composition studies is now – and perhaps has always been – a complex field characterized by agreements and tensions, as bodies of thought crash, merge, and shift like the tectonic plates of the earth’s surface” (vii)
“gentle persuasion” (ix)
Corder wrote Uses of Rhetoric, was a friend of Winterowd, Berlin, Corbett, Kinneavy, D’Angelo, Burke.
Explored ancient, modern, postmodern rhetoric, weaving them together in his own thinking.
Revolution Lullabye 