Revolution Lullabye

November 18, 2014

Jamieson, Reading and Engaging Sources: What Students’ Use of Sources Reveals about Advanced Reading Skills

Jamieson, Sandra. “Reading and Engaging Sources: What Students’ Use of Sources Reveals About Advanced Reading Skills.” Across the Disciplines 10.4 (11 December 2013). Web.

Jamieson uses data from the Citation Project and research on student reading skills and source-based writing from 1985 to the present to argue for revised pedagogies in first-year writing courses and beyond that help students acquire the advanced reading skills they need to successfully write source-based research papers. Jamieson contends that college faculty assume students have more sophisticated reading skills than they actually do, and she shows through an analysis of the Citation Project data that students are often working with sources shallowly and on the sentence level.

Jamieson argues that students’ reading difficulties are not the result of Internet-based reading habits; rather, she questions whether the students profiled in earlier research studies in the 1980s and 1990s ever had strong, consistent reading habits.

Jamieson suggests that the traditional research paper, assigned in a majority of first-year writing courses in US colleges and universities, be reframed in order to help students read more deeply, thoroughly, and critically. Instead of asking students to search for and synthesize a dozen or more sources, Jamieson points out that the goals of synthesis and research could be achieved by asking students to write a research paper that includes common course readings and extends the conversation with two carefully-selected outside sources. Jamieson argues that this approach could help instructors focus on teaching reading strategies and summary skills.

Quotable Quotes

“It is my contention that it is an error to assume that the goals instructors believe are being fulfilled by reading are actually the goals their students set out to fulfill by reading. This error leads to additional erroneous assumptions about how and why students read, assumptions that obscure the skills and practices that writing courses across the curriculum should be teaching.”

“Shirley is the student who lives in our collective imagination so strongly that what we believe to be her skills and needs shape curriculum, assignments, information literacy programs, and academic integrity policies.”

“Since I have begun paying systematic attention to the ways students use sources in researched papers, though, I have come to suspect that Shirley never existed. I do not believe that in 1990 there were many college sophomores who were able to read and engage with sources in the way we believed they could. And I don’t believe their children can do so today. This has huge implications for the way we teach and assess student writing and the way we assign and guide student reading. Indeed, I believe it challenges us to entirely rethink our pedagogy and expectations across the curriculum.”

Citation Project data and earlier research “specifically points to the possibility…that first-year writers have uneven success in reading and writing from sources, even from one sentence to the next.”

makes a distinction between misuse of sources and plagiarism: “such source misuse requires a pedagogical intervention rather than judicial action, although I do not mean to in any way minimize the seriousness of the problem by making this recommendation.”

“So, we need to take a second look at Ashley and her peers, a group of students who might be considered the poster children of the first-year writers the Citation Project multi-institutional research has uncovered: well-meaning students who are often anxious about correct citation, sometimes but not always able to paraphrase correctly, and sometimes but not always able to identify relevant sources. These students rarely analyze or engage with the sources they cite and tend to simplify the arguments within them…Viewing this data in the context of research on the reading abilities of students from a generation before them challenges popular assumptions about the laziness of the ‘Google generation’ and emphasizes the need for new responses.”

“In order to engage with our students in this way, instructors will benefit from a less-is-more philosophy. If students are all assigned to read the same sources, summarize them and place them into dialogue with each other, they can evaluate each other’s work and understand that not all summaries are the same.”

“However, if we develop pro-active pedagogies designed to increase the abilities of our students to engage with texts and their understanding of how texts work in general and as sources within academic texts, we may actually avoid the necessity of developing reactive pedagogies to respond to patch writing and other misuse of sources. That seems like a very fine reading goal for us and our students to work toward.”

Notable Notes

Margaret Kantz (1990) published a study focused on “a typical college sophomore” (qtd. in Kantz) named “Shirely.” Jamieson introduces a typical sophomore of 2012, “Ashley,” who could be Shirley’s daughter. Jamieson argues that their problems writing with sources and reading with sources are largely the same, unaddressed in college pedagogy for over twenty years.

Uses Mary Lynch Kennedy’s 1985 study of students writing with sources

Great overview of studies of student reading, writing with and from sources from 1985 through today

explains the methodology of the Citation Project – coding for source use, frequency of source citation, page of source that was cited, type of source, etc. Definitions of the different kinds of source use: 1. direct copying, cited but not marked as quotation; 2. direct copying, cited and marked as a quotation; 3. patch writing; 4. paraphrasing; 5. summarizing

when students write from sources, they are not engaging with whole-text arguments

students need more than one year to acquire consistent, expert reading skills

students often read for research papers with the goal of retrieving information from sources, not synthesizing ideas or understanding the larger conversation

students have trouble transferring reading, summary skills into a larger research paper

Citation Project data:

  • only 6.3% of student papers contained summary; 91.4% of the student papers used quotation
  • 77.4% of all citations were from the first 3 pages of the source; 9.4% were from page 8 or later
  • 56.5% of sources were cited once, 76.1% were cited twice

few college writing assignments (from those collected in research studies about college writing assignments across the disciplines) have explicit guidance on how to read, the goals of reading, how to use sources.

 

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January 4, 2013

The Visual and Beyond: A Symposium on Rereading, Revising, or Perhaps ‘Hacking the Source Code’ of the CWPA Outcomes Statement

“The Visual and Beyond: A Symposium on Rereading, Revising, or Perhaps ‘Hacking the Source Code’ of the CWPA Outcomes Statement.” WPA 36.1 (Fall/Winter 2012): 179-208.

This symposium in the Fall/Winter 2012 issue of WPA includes six short essays written in response to the editors’ question, “Shouldn’t the Outcomes Statement include [other work]?”  The editors offer the symposium in light of Ed White’s WPA-L comment, “The Outcomes Statement must remain a living document to stay relevant” (179).

CWPA Outcomes Statement for First-Year Composition

Beaufort, Anne. “The Matters of Key Knowledge Domains and the Transfer of Learning in the Outcomes Statement.” 180-187.

Beaufort argues that the CWPA Outcomes Statement could be improved with the inclusion of two key issues in writing studies. First, she argues that the field’s research on the nature of writing expertise (what separates novice from expert writers) could help make more distinct, measurable outcomes.  She also argues that the Outcomes Statement should articulate the goal of writing transfer – how students transfer the skills and knowledge they learn in first-year composition to other writing situations.  She offers five new knowledge domains around which to organize the outcomes: subject matter knowledge; genre knowledge; writing process knowledge; discourse community knowledge; rhetorical knowledge.  Casting the categories as sets of knowledge, Beaufort argues, would make it easier for teachers and administrators to identify gaps in student writing performance (182). She contends that some parts of the Outcomes Statement are too far-reaching and inappropriate for all first-year writers; she states, “Imagine the Outcomes Statement as a lean, elegant (as in precise, concise, clear) document that both notice and expert writing teachers could readily translate into five or six learning outcomes tailored to some degree for any given writing course” (185).

Barbara Little Liu, “Genre Knowledge, Reading, and Faculty Development.” 187-191.

Liu argues that the current CWPA Outcomes Statement assumes a level of disciplinary training and commitment to teaching writing that is not shared by all first-year composition teachers. She suggests that the CWPA offer more professional development for first-year writing instructors, including publishing professional anthologies, promoting professional development, and supporting the publication of more FYC textbooks that focus on rhetorical/genre-based reading, the kind of reading students must do in first-year composition in order to transfer writing skills and knowledge to other rhetorical situations. The Outcomes Statement, Liu argues, should emphasize this kind of reading as much as writing.

“Rhetorical/genre-based reading helps students understand that texts are written by actual people and that rhetorical situations (including genre conventions) affect how readl writers construct their texts. As students learn to parse a text in ways that reconstruct the rhetorical situation and the writer’s rhetorical strategies, they begin to see how they can learn from the strategic choices of other writers to more effectively address the various and new rhetorical situations they will encounter after leaving FYC” (189).

Deborah Mutnick, “Reading to Write and the Economy of Attention.” 191-194.

Mutnick argues that the CWPA Outcomes Statement should be revised to place more attention on the need to teach reading.  Using the results of a reading assessment test performed at her institution (which stated that first-year students were reading on a 9th-grade reading level), Mutnick questions the universal writing requirement at American universities, asking why reading, which is so fundamental to successful writing, is not similarily mandated. Mutnick also argues that the reading practices students develop on the Web work against the kind of close, critical reading they need to do with academic texts (she uses an example of the decoding kind of reading students do in archival research.) Mutnick suggests that the Outcomes Statement specifically address teaching students how to read, select, and evaluate information from the Web.

“Archival research is vertical, slow, deliberate, puzzling, deep, and focused – think preservation, slow cooking, Internet Sabbaths. Reading on the Web is horizontal, fast, accidental, immediate, and shallow. While these characteristics are not exclusive to either domain, the multi-channeled environment of the Web marks the shift from a scarcity of information to a scarcity of attention, requiring us to develop new strategies for sorting out and valuing massive, often contradictory amounts of knowledge that close, deep, slow reading epitomized by archival research helps balance” (194).

Cynthia R. Haller, “Reading Matters: Thoughts on Revising the CWPA Outcomes Statement.” 195-200.

Haller argues that the CWPA privileges writing over reading, and points out that more balanced understanding of reading and writing (that reading does not happen always before writing, that they are ‘a complementary process’ (195) would help first-year composition courses refocus their attention to both rhetorical reception and rhetorical production. Both reading and writing, Haller contends, lead to rhetorical meaning-making. Haller suggests that composition teachers adopt the sense that is implied in the verb “grappling” when teaching students to work with and read texts: by grappling, there is a sense of two-way communication, not a one-way direction of meaning from the text to the student.  She also calls for more research on how students read to help shape writing curriculum (she specifically cites the Citation Project.)

“As Norgaard points out, an appreciation for how human knowledge is organized, stored, disseminated, and accessed can prevent students from viewing their own rhetorical production as isolated from other texts” (199).

“‘Grappling’ captures the recalcitrance of texts. Texts are not simply effete collections of symbols, but have consequences, especially as they are taken up in various contexts of use” (198).

“The popular catchprhase ‘critical reading, writing, and thinking’ suggest that meaning-making is a one-way, cognitive action performed on an object; by contrast, the word ‘grappling’ captures the two-way, absorbed engagement we (and we hope our students) experience when reading texts” (198).

Martha Marinara, “Engaging Queerness and Contact Zones, Reimagining Writing Difference.” 200-204.

Marinara argues that the CWPA statement, with its list of outcomes, falls short of a full, true notion of literacy practices and diversity of teaching and learning.  She uses queer theory to reject the notion that rhetorical concepts or writing conventions are neutral – she points out that queerness rejects stability and questions how power, community, and language intersect and give privileges.  Marinara also critiques the idea of the writing classroom as a “contact zone;” she contends that Pratt’s theory has been appropriated and has turned the writing classroom into a space of tolerance, but not one of diversity.

“Contact zones were appropriated by an uncritical, liberal multiculturalist movement and became apolitical, a safe kind of melting pot, a chicken soup for the classroom” (203).

“What the list [the outcomes] does not do and needs to do is quesiton how the process of teaching and learning – the wicked problem of our teaching practices – supports and maintains the role of difference as a definition, rather than a critical process that promotes a fuller notion of literacy” (204).

William P. Banks, “Queering Outcomes: Hacking the Source Code of the WPA Outcomes Statement for First-Year Composition.” 205-208.

Banks suggests that truly “queering” the Outcomes Statement would involve not just adding new outcomes or tweaking the outcomes to specifically address how rhetorics are cultural, situated practices but instead, “queering” the outcomes would mean complicating and enriching the theoretical principles from which the outcomes emerge. Banks contends that the Outcomes Statement, as printed, is based on a set of disciplinary values that are static, or that are not universally held by writing teachers, or that are incomplete. He suggests remixing the Outcomes Statement in some interactive (digital?) form so that it can be a dynamic, living document, one that shows the links from the outcomes to emerging research in the many subfields and subspecialities of the discipline.

“So where does this change belong? I think it’s in the foundations, the idological and theoretical underpinnings of the OS document, what’s hidden in the framing paragraphs, and by how what’s hidden becomes visible” (206).

May 1, 2009

Hamp-Lyons and Condon, Questioning Assumptions about Portfolio-Based Assessment

Hamp-Lyons, Liz and William Condon. “Questioning Assumptions about Portfolio-Based Assessment.” CCC 44.2 (1993): 176-190. In Assessing Writing. Eds. Huot and O’Neill. Boston: Bedford/St. Martin’s, 2009. 315-329.

The authors argue that portfolio-based assessments are not inherently better, more valid, or more ethical than other kinds of writing assessments. It takes much critical reflection and work on the part of WPAs and writing instructors to make portfolio grading, which is more time consuming, a better assessment. They point out that more texts and genres doesn’t always make scoring decisions easier, that pedagogical and curricular values aren’t taken into account because they are not articulated, and that collaborative portfolio grading is often conflict-ridden, for it is hard to build consensus over assessment and instruction values. They do not argue to abandon portfolios, just to warn that certain stipulations – like criteria and conversations about program goals and values – must be in place to make portfolios a better assessment.

Quotable Quotes

“Increased accuracy is not an inherent virtue of portfolio assessment” (327).

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