Revolution Lullabye

May 18, 2009

Donahue, When Copying Is Not Copying

Donahue, Christiane. “When Copying Is Not Copying: Plagiarism and French Composition Scholarship.” In Originality, Imitation, and Plagiarism. Eds. Eisner and Vicinus. Ann Arbor: U of Michigan P, 2008. 90-103.

Donahue describes the differences between how American and French writing teachers address the use of sources in writing. While American writing teachers focus on plagiarism and its punitive threats, the French educational system, which sees a deep connection between reading and writing, encourages students to play with other texts, borrowing, quoting, and imitating them without citation. Citation practices are not taught until late in the undergraduate or in the graduate years, as it is discipline-specific. Donahue argues that American teachers of writing should adopt this open, educational attitude of the French, which focuses on teaching students to manage many voices in their papers.

Quotable Quotes

“Effective quoting and citing are treated, in the scholarship, as an art; the goal is working from an author-based world (an author’s text, words, ideas) toward one’s own” (97).

French students are encouraged “to enter into relationships of equality and play with other texts, and that this leads them to a different understanding of the already-said” (91).

Copying: “a complex and culturally defined intellectual action, Bakhtinian to the core” (99).

Think about mentoring students into a discipline “rather than the moralistic, legalistic, or otherwise shame-filled act we like to call plagiarism” (100)

Notable Notes

French discourage paraphrase (Donahue argues that this distaste should be reconsidered.) Grounded in an aesthetic tradition, they don’t like “dilution” of the original text. French students are taught to summarize nonliterary text but to keep key phrases and frames, quote without quotation marks or citation

polyphonic writing (very Bakhtin) – it is difficult for students to figure out how to insert their voice in the mix

think about imitation as translation

paraphrase as reprise-modification, very dynamic becuase an utterance always changes when uttered

gives examples of student papers

Eisner and Vicinus, Originality, Imitation, and Plagiarism

Eisner, Caroline and Martha Vicinus, eds. Originality, Imitation, and Plagiarism: Teaching Writing in the Digital Age. Ann Arbor: U of Michigan P, 2008.

This edited collection, divided into three sections (originality, imitation, plagiarism) draws together scholars from various discipilnary and technological perspectives to talk about issues of plagiarism, teaching writing, copyright, digital technology, and fair use doctrines. The authors argue in their introduction to bring back imitation as a legitimate and powerful pedagogical practice. I will take notes on the essays included in individual posts, marking each as “EisnerVicinus.”

May 1, 2009

Carter, A Process for Establishing Outcomes-Based Assessment Plans for Writing and Speaking in the Disciplines

Carter, Michael. “A Process for Establishing Outcomes-Based Assessment Plans for Writing and Speaking in the Disciplines.” Language and Learning Across the Disciplines 6.1. (2003): 4-29. In Assessing Writing. Eds. Huot and O’Neill. Boston: Bedford/St. Martin’s, 2009. 268-286.

Carter outlines how the Campus Writing and Speaking Program, a WAC-like program at NC State (where Chris Anson is), helped departments establish speaking and writing outcomes for their undergraduate majors. Outcome-based assessment asks programs what skills and knowledge graduates should have, how the program helps students achieve these outcomes, and how the program could assess their outcomes and use their assessment for program development. The essay contains a list of questions departments can use to develop both objectives and outcomes (which, unlike objectives, are teachable and measurable), and gives an extended example of the outcomes from the anthropology department. Carter argues that such a discipline-specific assessment broadens both the responsibility of teaching writing and speaking skills to all departments and the timeline in which a student will be able to achieve these communication outcomes.

Notable Notes

outcomes need to be student-centered, faculty-driven, and meaningful (271)

outcome-based assessment does not assume that students will achieve something based on one course; it looks holistically at a whole program to assess its effectiveness in helping students achieve outcomes

compare to the continual improvement assessment in industry (ISO certification) and accountability movement in K-12 schools

the departments can state the disciplinary goals for their majors

what about students not in a traditional major? at schools with more blending capabilities?

articulate an assessment procedure with each department – including things like tests, exit interviews

the function of a speaking/writing professional (a WPA?) changes with outcome-based assessment

January 28, 2009

Griffin, Teaching Writing in All Disciplines

Griffin, C. Williams, ed. Teaching Writing in All Disciplines. San Francisco: Jossey-Bass Inc., 1982.

This edited collection centers around the early writing-across-the-curriculum movement in composition and serves as a guide to teachers as to how they might implement writing-for-learning assignments and initiatives in their own classrooms and in their institutions. The collection contains a balance of more practically-oriented pieces (about how different assignments can help students learn math by writing about it, how teachers can respond to all the writing they’re now asking their students to do, and what kinds of mixed reactions teachers and students give to WAC initiatives) and more theoretical essays, like Fulwiler’s “Writing: An Act of Cognition,” which argues that since language makes meaning, we need to ask our students to use and produce writing in order to understand and learn, not just to communicate what they already know. One of the last essays of the collection, by Maimon, likens the WAC movement as a move back to ancient rhetorical training, a grounding in rhetoric that was required for students going into all fields.

January 26, 2009

Carpini, “Re-Writing the Humanities”

Carpini, Dominic Delli. “Re-Writing the Humanities: The Writing Major’s Effect upon Undergraduate Studies in English Departments.” Composition Studies 35:1 (Spring 2007) 15-36.

Beginning with a classification of the three main types of undergraduate writing majors – professional, liberal arts, and hybrid – Carpini shows how one writing major, the Professional Writing Major at York College of Pennsylvania, has redefined what writing studies means to students and to the discipline. The major has returned rhetoric to the humanities, informing students’ work in literary studies and philosophy by increasing the topics and discussions they can draw on and write about and making them more careful readers and writers. It also has revitalized and added a new area of inquiry to those students in pre-professional tracks, like English education. This was in the special edition of Composition Studies about the writing major, and Carpini includes several institutions’ own writing major descriptions.

Quotable Quotes

“the potential that writing majors have to influence the disciplines with which we share institutional homes and to introduce undergraduate students to areas of research that, until recently, were reserved for graduate studies” (15)

the writing major is on “a continuum moving from praxis to gnosis.” (16)

Notable Notes

English secondary teachers learning tutoring in the writing center

abolition and Crowley arguments cited

extensive (15 or so) descriptions of writing majors from the college or university’s catalogues

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