Revolution Lullabye

February 15, 2009

Althusser, Ideology and Ideological State Apparatuses

Althusser, Louis. “Ideology and Ideological State Apparatuses (Notes Toward an Investigation)” In Lenin and Philosophy and Other Essays. New York: Monthly Review Press, 1971. 127-186.

The educational system is the primary way the ideology of the ruling class is reproduced and therefore inscribed in society. The schools are a ideological state apparatus, which though part of the private domain, are institutions of the State in as much as they silently indoctrinate (through ideology primarily, then repression) children, producing classes of workers who each ascribe to the philosophy and mentality that is necessary for them to reproduce the societal relations that the State, controlled by the dominant class, is dependent upon for existence. The ideology that pervades ideological state apparatuses like the educational system has a material existence: it must be a practice and be performed through rituals and apparatuses created and acted out by subjects to that ideology.

Quotable Quotes

Central thesis: “1. There is no practice except by and in an ideology; 2. There is no ideology except by the subject and for subjects” (170).

“No class can hold State power over a long period without at the same time exercising its hegemony over and in the State Ideological Apparatuses” (146).

“The ultimate condition of production is therefore the reproduction of the conditions of production” (127).

Notable Notes

ideology creates subjects out of individuals, exists eternally, so we are all subjects always

extends Marx’s critique to include the idea of ideological state apparatuses in addition to Marx’s repressive state apparatuses, which ensure the political existence of the state through repression primarily, ideology second.

Church used to be the dominant ISA – one of the most important consequences of the French Revolution and the Reformation was the destruction of the Church as a unified ISA for the State.

education system takes kids away during formative years, for 11+ years, 8 hours a day, 5 days a week, and spits them out at different times, have learned different roles according to their function in society: blue collar (exploited), white collar (those who exploit), leaders/elite (create ideologies, agents of repression). School is thought to be natural, neutral, beneficial, and indispensible. Education “steeps” them in ideology (133)

ISAs are the sites of class struggle, because they are so plural and diverse, full of contradictions, State power can’t lay down the law as easily here

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February 7, 2009

George and Trimbur, Cultural Studies and Composition

George, Diana and John Trimbur. “Cultural Studies and Composition.” 71-91.

George and Trimbur argue that when composition instructors use cultural studies to organize their pedagogy, they are continuing the movement in the field from focusing on individual writers (process theory) to acknowledging the social and political context of the world the students are writing, thinking, and learning in. This politcal turn, proponents of cultural studies in the composition class argue, represents the diversity of the students, allows for rhetoric to be incorporated in the writing classroom, and accommodates the postmodern goal of recognizing and analyzing fragments and subsets of culture. Cultural studies began as a phenomenon in the UK in the 1960s with the Centre for Contemporary Cultural Studies (CCCS) at the University of Birmingham, and the major New Left thinkers there (Hoggart, Williams, Thompson) looked to Althusser and Gramsci to destroy the power dynamic inherent in the high/low culture split and to begin investigating how people’s cultural practices in turn create the social order and class consciousness. This decidedly white, male, middle-class movement expanded with feminist and race critiques of cultural studies in the 1980s. Those in favor of using cultural studies as the content of a composition class argue that its use of popular culture is inviting to students, it teaches close analysis of texts and artifacts, and leads to civic and public writing. Those against it contend that a focus on cultural studies as a content in the composition classroom leads to a devaluing of writing itself, as the textbooks used don’t include a lot of student texts and the work of producing and writing isn’t foregrounded in the curriculum. Some also see cultural studies as an attempt for leftist teachers to politically indoctrinate their students.

Quotable Quotes

Shift: “emphasis from the personal experience of the individual to the lived experience of participants in the larger culture” (83).

“The arrival of cultural studies marks a wider resurfacing of political desire in academic work”, “a need on the part of American leftist academics to articulate a role for themselves in public formus and to cope (at least rhetorically if not actually) with the globalization of capital and its relentless war against working people and the poor” (72).

Problem with cultural studies pedagogy: “uncritical populist celebration of popular culture, in which the audience is ‘never wrong’ and the practice of everyday life is persisently resistant to the dominant culture” (84).

Notable Notes

Lidna Brodkey 1st year course, “Writing About Difference” at the University of Texas, recounted in “Federal Case”

Cultural studies in composition on the scene in the late 198s, 1990s

Sources about foundational cultural studies theory: Richard Hoggart, The Uses of Literacy; E.P. Thompson, The Making of the English Working Class; Raymond Williams, Culture and Society and The Long Revolution; Stuart Hall “Two Paradigms”; Althusser; Gramsci; Lawrence Grossberg “The Formation of Cultural Studies”; Johnson “What Is Cultural Studies, Anyway?”; Baudelaire, Paris Spleen; Engel, Conditions of Working Classes in 1844; Frankfurt School; Mayhew, London Labour and the London Poor; Bourdieu; Habermas; Barthes; deCerteau; Walter Benjamin; Women Take Issue: Aspects of Women’s Subordination; Paul Gilroy, There Ain’t No Black in the Union Jack

Cultural Studies and Composition: Raymond Williams, The Future of Cultural Studies; Gere, Long Revolution; Ohmann, Graduate Students; Trimbur, Writing Instruction, Cultural Studies, Articulation Theory, Radical Pedagogy; Berlin, Rhetorics, Poetics, and Cultures; Schilb, Cultural Studies, Postmodernism, and Composition; Faigley, Fragments of Rationality; Berlin/Vivion; Fitts/France; Pratt, Arts of the Contact Zone; Sullivan/Qualley, Pedagogy in the Age of Politics.

Critiques of cultural studies: Richard Miller, As If Learning; Joseph Harris, Other Reader; Frank Farmer; Susan Miller, Technologies; Hairston, Diversity, Ideology, and the Teaching of Writing.

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