Revolution Lullabye

June 29, 2009

Hult, et al, The Portland Resolution

Hult, Christine, et al. “The Portland Resolution: Guidelines for Writing Prorgam Administrator Positions.” WPA 16 1/2 (Fall/Winter 1992): 88-94.

This position statement outlines the guidelines the Council of WPA are necessary for both ensuring ethical working conditions of writing program administrators and developing WPA job descriptions. Working conditions include having a written job description (who you supervise, who supervises you,  load and tenure stipulations); having a full-time position with job security, benefits, and travel equal to a faculty member; having access to other units and higher university administrators; and having adequate resouces and budget to fund the program. A WPA should have training in the field of rhetoric and composition and can be responsible for any of the following duties: scholarship of administration; faculty development (TA training); writing program development (curriculum, hiring, WAC); assessment at all levels; registration and scheduling; office management; counseling and advising; and coordinating with other university programs (ESL, education, academic support, remedial.)


June 16, 2009

Pandey, Saving, Sharing, Citing, and Publishing Multimodal Texts

Pandey, Iswari. “Saving, Sharing, Citing, and Publishing Multimodal Texts.” In Multimodal Composition: Resources for Teachers. Ed. Cynthia Selfe. Cresskill, NJ: Hampton Press, 2007. 65-81.

Pandey explains the simalarites and differences from saving, sharing, citing, and publishing words (alphabetic text) and mutlimodal compositions that incorporate sound and images. His essay, meant for a practical guide for teachers, contains a lot of how-to information about formats of files, memory constraints, websites for reference, and assignment ideas. He argues that every teacher of multimodal composition should teach four topics under intellectual property: copyright law, fair use, public domain, and open-source/creative commons licensing. It is the ethical and legal responsibility of teachers and students to understand the ethical and legal constraints of citing and publishing multimodal compositions, and strict attention should be paid to teaching students how to properly prepare bibliographies of all the image, video, and sound materials they use in their compositions.

Notable Notes

forward of book by Bronwyn Williams – this collection is aimed at teachers wanting to incorporate multimodal compositions in  their first-year writing classrooms (doesn’t address the major) (x). Also, multimodal compositions an outgrowth of English Departments’ attention to cultural studies, multiculturalism, alternative ways of meaning-making (xii)

how-to book, sprang out of Watson Conference attendees

the rhetorical considerations of compressing files

May 20, 2009

Brown, Fallon, Matthews, Mintie, Taking on Turnitin

Brown, Renee, Brian Fallon, Elizabeth Matthews, and Elizabeth Mentie. “Taking on Turnitin: Tutors Advocating Change.” The Writing Center Journal 27.1 (2007): 7-28.

These four writing center tutors ran a paper through the Turnitin software and analyzed its results, arguing that Turnitin has both pedagogical limitations and ethical problems in the way it handles student writing.  It oversimplifies what it means to write with sources, and students can quickly learn how to “outsmart” Turnitin (but not become more sophisticated source-users) by using thesauruses to change individual words in an Internet source. Writing centers, since they come into contact with writers from all over the university, need to take the lead in plagiarism and citation issues and should argue for teaching citation first and giving workshops so that instuctors can interpret Turnitin results into pedagogical solutions.

Notable Notes

who owns the database of papers that Turnitin uses?

universities find it hard to opt out of Turnitin for a different service…all the student papers are stored there; they’d lose what they had gathered.

Create a free website or blog at