Revolution Lullabye

August 1, 2012

Yagelski, “Writing as Praxis”

Yagelski, Robert P. “Writing as Praxis.” English Education 44.2 (January 2012): 188-202.

Yagelski argues for a more humanistic approach to teaching writing, one that emphasizes praxis. The goal of writing education, Yagelski claims, is to introduce students to the transformational experience of writing, giving them assignments that encourage them to use the act of writing as a way to understand themselves and their world more deeply and to live more humanely. The text is not the goal of the act of writing, Yagelski argues: it is sometimes useful and communicates well, but it is the thinking that happens in the very act of writing that matters the most.

Yagelski draws on Freire, Elbow, Emig and others to construct his argument for writing as an ontological act (as a way of being in the world.) He contends that the recent Common Core Standards, and more specifically, the move away from personal writing and narration towards technical form and objective argument shortchanges students because it doesn’t introduce them to how writing can help them live their lives. He points to how people turn to writing to make sense of life, and shows how this kind of writing matters. Students, he argues, do not invest themselves in meaningless writing assignments: the act of writing in these becomes formulaic, a procedure to be followed.

Yagelski questions the assumptions behind the Common Core Standards and standards-driven schooling, aruguing that a primary goal of education is to create a more humane society through asking students to deeply understand their complex selves and complex world. The act of writing encourages slow, deep, and reflective thinking as it shuttles the writer through the past, present, and future. He gives examples of assignments that encourage students to think of writing as praxis – to value the experience as much as the product.

Notable Notes

Yagelski places primary importance on praxis, the writer, the self, the individual writer discovering truth about herself and her world through world. He de-emphasizes the communicative nature of rhetoric – the idea that rhetoric acts within a community.

those who teach teachers – emphasizing the praxis of writing matters because how you teach teachers affects how they teach their students. Ripple effect (202).

Quotable Quotes

“Powerful experiences like Katie’s or Alicia’s students’ are dismissed as somehow tangential or even irrelevant to the real work of schooling – as if schooling should not be about living life, confronting the complexity of life, understanding our experiences in the world, being human.” 201

“Writing should be about seeking happiness. It should be about well-being. It should be a practice of living, a part of what Freire (1994) called the struggle to improve human life. And it can be such a practice – it can be a praxis – if we value the experience of writing as much as we value the text.” 199

“Ask students to write meaningless texts, and writing will be meaningless for them. But let the write in ways that matter to them, and they will embrace the opportunity; they will take advantage of the capacity of writing to help them make sense of their lives.” 195

“When we write, no matter what we are writing about, we call on the past and anticipate the future even as we inhabit the present” 192

“But writing is more than communication. It is a vehicle for sustained inquiry into our experiences, a means of understanding who we are. Ultimately, writing is a deeply human act that can help us better understand what it means to be human” 193

“I am proposing that we understand writing ontologically, as a way of being in the world, as an act of living. IN this regard, the purpose of writing is simply to live more fully. And that can be a step toward living together more peacefully, more humanely.” 190



May 23, 2011

Ignatian Pedagogy A Practical Approach

International Commission on the Apostolate of Jesuit Education. “Ignatian Pedagogy: A Practical Approach.”

The goal of this whitepaper is to make the 1986 document The Characteristics of Jesuit Education more usable for teachers,  more attuned to daily pedagogical practices. It is meant to be a flexible document, one that should be adopted to local cultures and constraints and infused into existing curriculum. The paper defines Ignatian pedagogy and explains the goals of Jesuit education, the role of the student-teacher relationship, the Ignatian pedagogical paradigm, and the challenges of implementing Ignatian pedagogy.

The Ignatian pedagogical paradigm includes these five activities, which, in a Jesuit education, are constantly happening: context (or understanding where the student, the institution is coming from and is located in the larger world), experience (acquiring facts, knowledge, and experience), reflection (seeing the connections between one set of experiences and another – academic or otherwise), action (feeling compelled to move that knowledge towards action), and evaluation (seeing where the student has come and how the students needs to develop further – both in an academic and “whole person” idea.)

Notes and Quotes

The goal of Jesuit education: to form men and women for others, men and women who are challenged to grow as whole persons who will be called to actively serve and lead others. Jesuit education pursues excellence, a commitment to justice, a discerning mind, a belief in the dignity and holiness in all life.

The model in Jesuit education is Christ himself – finding and working towards God’s love in communion with others. Students educated in the Jesuit tradtion are encouraged to move beyond ordinary ways to express their love for each other and their neighbor.

The academic disciplines in Jesuit education have a human centerness: they relate to what it means to be human.

Education that is both intellectual and moral: creating “competent, conscious, and compassionate commitment” (5)

Education in faith and for justice “means helping [students] to understand and appreciate that other people are their richest treasure” (7)

Students in the Ignatian tradition need to be actively pursuing knowledge – need to have the freedom and the drive to acquire knowledge and reflect on it. Teachers are the guides to help students do that, giving them opportunities to engage in all of the activities on the Ignatian pedagogical paradigm, with clear, scaffolded objectives that meet students where they are and lead them to become more. Also the importance of repetition (37-38)

Ignatian pedagogy depends on a close student-teacher relationship, where the teacher forges personal connections with the students.

Has a central concern for the human being in all things.

“To be successful in bringing the Ignatian Pedagogical Paradigm into regular use in Jesuit schools, members of the International Commission are convinced that staff development programs in each province and school are essential. Teachers need much more than a cognitive introduction to the Paradigm. They require practical training that engages and enables them to reflect on the experience of using these new methods confidently and effectively.” – ongoing professional development that emphasizes reflective practice is key for implementing Ignatian pedagogy.

“And I am personally greatly encouraged by what I sense as a growing desire on the part of many in countries around the globe to pursue more vigorously the ends of Jesuit education which, if properly understood, will lead our students to unity, not fragmentation; to faith, not cynicism; to respect for life, not the raping of our planet; to responsible action based on moral judgement, not to timorous retreat or reckless attack.” (40, Peter-Hans Kolvenbach, “Ignatian Pedagogy Today” 1993).

November 11, 2010

Yood, Revising the Dream

Yood, Jessica. “Revising the Dream: Graduate Students, Independent Writing Programs, and the Future of English Studies.” In A Field of Dreams: Independent Writing Programs and the Future of Composition Studies. Ed. Peggy O’Neill, Angela Crow, and Larry W. Burton. Logan: Utah State UP, 2002. 170-185. Print.

Yood uses reception theory – the idea that different constituencies in a single system process and understand change in different ways – to explain how the construction of an independent writing program has a different effect on graduate student identities and their perceptions of the field than it has on full-time faculty in the program. She uses her experiences and those of fellow graduate students at SUNY Stony Brook during the removal of composition from the English Department into an independent Program in Writing and Rhetoric, a move that was opposed by several writing faculty and English PhD graduate students because how it would fracture their integrated studies and research in literature and composition, reading and writing.  She shows the effect of the departmental split – which questioned the relationship between literature and composition – on her dissertation writing process and the dissertations of two of her fellow students, showing how they are reshaping knowledge and synthesizing what the discipline(s) of English Studies are about.

Notes and Quotes

Uses Niklas Luhmann (systems theorist) and E. Doyle McCarthy (1996) for theoretical framework: sociology of knowledge, systems theory.

“Our historical moment is characterized by a level of complexity that makes observing, recording, theorizing, or narrativizing especially difficult” (171). How to we understand change? How to we express that change?

“In order to understand how knowledge is made in a transforming cultural and disciplinary matrix, we need a dynamic reception-response approach that integrates experience and observation” (172).

Uses Farris and Anson to detail the shift in the mid-1990s in composition: PhD programs started, tenure-track jobs created, WAC programs, writing centers, technology programs.

June 19, 2009

Dewey, Democracy and Education

Dewey, John. Democracy and Education. New York: The MacMillan Company, 1961.

In this book, originally published in 1915, Dewey forwards his philosophy of education in a democratic society. Dewey, known as a pragmatist, believes that the purpose of education is growth, and that growth happens as a child interacts with a social environment and continuously reconstructs his or her knowledge through purposeful activities and experiences. He dismisses the binary between the pursuit of pure knowledge and vocational education, arguing that vocations and occupations do not limit a child but rather give them a direction, and organizing principle through which to experience education. Education forms fundamental intellectual and emotional dispositions, which are learned through the social community of school, but no one state should enforce a standard disposition – the strength of democratic societies is intellectual freedom and individual choice. Dewey believes that education within the school should reflect the experiences and learning that takes place outside of school.

Quotable Quotes

“Learning is the accompaniment of continuous activities or occupations which have a social aim and utilize the materials of typical social situations” (360). – continuous readjustment and growth

education = “the continuous reconstruction of experience” (80) and “that reconstruction or reorganization of experience which adds to the meaning of experience, and which increases ability to direct the course of subsequent experience” (76).

Notable Notes

classroom as a social learning community

connection to norms (Green)…acquisition of habits (Newman)

April 9, 2009

Elbow, Writing Without Teachers

Elbow, Peter. Writing Without Teachers. 2nd ed. New York: Oxford UP, 1998.

First edition 1973.

The book is divided between Elbow’s five practical chapters about how to write more fluidly and construct a teacherless writing class and his appendix, which articulates his theory behind his teacherless pedagogy, a theory about how ideas are found and tested through two different methods: the believing game and the doubting game. Academia favors the doubting game (critiquing writing and arguments to find and weed out errors) over the believing game (coming up with different scenarios and hypothesis to test the validity of a given argument, to suspend disbelief and step in the writer’s shoes.) Elbow argues that there needs to be a balance between the two, and the believing game, so often dismissed, offers a valuable way to productively understand and make meaning through metaphor and relationships.

Elbow explains his pedagogy using two different metaphors: growing and cooking. Good writing grows, beginning with a lot of freewriting, then heading towards chaos, then organizing into centers of gravity, and then reforming through ferocious revision. Good writing also cooks, involving a number of competing and conflicting elements (ideas, arguments, words, metaphors, modes) which are forced to interact with each other. Noninteraction comes from an absence of conflict (static agreement) or from constant, unproductive conflict (deadlock and stalemate.) He advocates multiple, quick drafts, attacking the writing as a whole, not through parts, and unleashing energy and words through constrained, 10-minute frequent freewrites. Writing, Elbow argues, cannot be fully completed unless it is done in interaction with others, and thus he argues for a teacherless writing class, one in which a core number of writers commit to writing and responding to a draft once a week. He sets up guidelines for responding readers and writers in Chapter 4 and 5.

Quotable Quotes

“Make writing a global task, not a piecemeal one.” (72)

“Our conception of intellectual process is so dominated by critical thinking” (xxv)

Notable Notes

2nd edition begins with an introduction in which Elbow calls attention to his appendixed theory (doubting and believing games) and invites further response to it.

Believing game is what Quakers, juries have to do; it is what happens during a paradigm shift (Thomas Kuhn)

many fast drafts instead of one slow one

it’s better in responding to be honestly subjective (share the movie in your mind) than trying to be objective

human beings are most of the time not in communication with each other – people passively listen, nod, agree – that’s why a genuine teacherless writing group is so invigorating

his pedagogy is backed by his theory, specifically of the importance of the believing game to the intellectual enterprise.

the believing game allows for multiple gestalts, multiple meanings, requires waiting, patience, and a commitment to the importance of experience

February 6, 2009

Burnham, Expressive Pedagogy

Burnham, Christopher. “Expressive Pedagogy: Practice/Theory, Theory/Practice.” 19-35.

Often coupled with process pedagogy, expressive pedagogy concerns itself with the individual writer and his development of a writerly voice or ethos. Stemming in the 1960s and 1970s from the same practicioners as process pedagogy (Elbow, Murray, Macrorie), expressivism opposes the reductive current-traditional model of writing education that devalues the writer, thus creating an arhetorical view of reality because the writer – the individual maker of meaning – is stripped of all authority. The first proponents of expressivism argued through narratives, but later scholars and teachers relied on theories from linguistics, cognitive and developmental psychology, phenomenology, and existential philosophy to show that writing is a way of making meaning, creating and developing knowledge that moves from the individual private sphere to be shared with the world. In this sense, the social conclusion that all writing comes to, answers the critiques of expressivism (Berlin and Faigley), which state that it is not critical, is romantic, rejects social and political problems, and is over-concerned with the voice of the individual. The most recent scholarship on expressivism have attempted to make it more critical, placing theorists such as Bakhtin, Ong, Gibson, and Dewey at the center of the pedagogy, arguing that expressivism explores relations between language, meaning-making, and self-development, forming individual and social identities.

Quotable Quotes

“Expressivism’s strength is its insistence that all concerns, whether individual, social, or political, must originate in personal experience and be documented in the student’s own language” (31)

Expressive pedagogy is “engaged pedagogy, holistic teaching” (31)

Notable Notes

Theory for expressivism draws heavily on Britton (Language and Learning, Development of Writing Abilities 11-18) and Kinneavy (A Theory of Discourse.) Britton talks about expressive function in language and creates a developmental taxonomy of writing, arguing that writing is a process of discovering meaning and learning (puts his theory at center of National Writing Projects and whole language movements.) In Langauge and Learning, he explains the participant and spectator roles in writing, says that expressive writing involves both. Kinneavy talks about expressive discourse and uses Sarte to talk about how writing is used to explain individual meaning-making to a larger audience, analyzes the Declaration of Independence and shows how it is not a persuasive text but rather an expressive text that is forming a new nationanl identity.

Crowley, The Methodical Message; Macrorie, Telling Writing; Elbow, Writing without Teachers and Writing with Power; Murray, A Writer Teaches Writing; Britton, Language and Learning; Kinneavy, A Theory of Discourse; Sherrie Graden, Romancing Rhetorics; Vygotsky; Bruner; Chomsky; Sarte; Thomas Merton, Learning to Live; bell hooks Sisters of the Yam

expressivism is concerned with developing individual responsibility and ethics (Socrates)

critiques include: ahistorical, atheoretical, arhetorical, anti-intellectual, standard-less, relativistic

uses freewriting, journals, reflective writing, small response groups

January 25, 2009

Horvath, “The Components of Written Response”

Horvath, Brooke K. “The Components of Written Response: A Practical Synthesis of Current Views.” In The Writing Teacher’s Sourcebook. 207-223.

This review and synthesis of the research in response to student writing highlights the scholarship done in how writing teachers engage in formative evaluation in the hopes of sketching out a theory of response and evaluation. Many of the findings are presented today as tried-and-true maxims: avoid negativity, treat student texts as unfinished works-in-progress, move from global to local concerns, and act as a more experienced writing coach with students. Horvath ends by pointing out that response happens beyond the instructor’s written comments, such as responses during oral conferences, peer editing sessions, and class discussions, and includes a bibliography of scholarship in response to student writing.

January 10, 2009

Shedroff, Experience Design

Shedroff, Nathan. Experience Design 1. Indianapolis, IN: New Riders Press, 2001.

Experience design seeks out the common elements that make “superior” experiences, those that are successful and memorable. Shedroff includes all experiences in his analysis, both online and off-line, and his goal is to define principles of good experiences so that they can be consciously reproduced. Experiences are contained by their boundaries and usually consist of three major phases: attraction, engagement, and conclusion. The principles Shedroff discovers by evaluating and analyzing superior experiences (those he deems superior) connect to all three of those phases and include attributes like consistency, usability, interactivity, feedback, control, creativity, adaptivity, and community and identity creation. These types of good experiences have developed cognitive models, which is a structure based on how the designer predicts how the audience might understand the information, find meaning in it, and remember it. Shedroff also argues that good design is derived from insight, which is created by thoughtful, contextual structured information, developed along a continuum of information, stretching from pure data (which has no context), to context-driven, organized information, to generalized knowledge, to personalized, non-transmittable wisdom.

Quotable Quotes

“The elements that contribute to superior experiences are knowable and reproducible, which can make them designable” (2).

“[Seduction] has always been a part of design” (8)

“Information is really data transformed into something more valuable by building context around it so that it becomes understandable” (34) and “Information is data put in context with thought given to its organization and presentation” (42).

“The path to wisdom is not even open until we approach understanding with an openness and tolerance for ambiguity” (54).

“The most important aspect of any design is how it is understood in the minds of the audience” (cognitive model) (60).

Notable Notes

Experiences must “compete for the attention of the audience and partcipants” – novelty isn’t enough to keep a person interested for long. Compare with Lanham The Economy of Attention. (4) “Successful digital media are those that offer experiences unique to their medium and complete with traditional media in usefulness and satisfaction” (4)

Look at experiences throughout history to inform the design of present and future things (23)

Important experiences include birth, death, and the takeaway moments – those important experiences that you take away with you as you die as your lasting memories of Earth (rarely have anything to do with modern digital technology)

Information overload is really information anxiety – there is too much information out there as just data, no context or insight to put it into perspective or communication with others (34)

Ways to organize data (only 7) – magnitude, time, numbers, alphabet, category, location, randomness. Many presentation possibilities for the same data (example of the periodic table of the elements.) (66)

There is a need for multiplicity for different learning styles, redundancy, different levels of understanding and meaning (example of Vietnam memorial in DC), navigation routes.

Clear navigation and cognitive models are key in design.

Important design considerations: consistency, usability (learnability and functionality), design must create meaning, interactivity (audience are participants), feedback (audiences know that their participation matters), control (audience has control over experience – or thinks they do), creativity (people feel valuable, satisfied when asked to be creative), productivity (usefulness), adaptivity (customized, personalized), community membership, authentic identity formation, storytelling, narrative, perspective and point-of-view.

Sensorial design (276) – smell, taste, touch, sound, sight

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