Revolution Lullabye

April 28, 2009

Yancey, Looking Back as We Look Forward

Yancey, Kathleen Blake. “Looking Back as We Look Forward: Historicizing Writing Assessment.” CCC 50 (1999): 483-503. Reprinted in Assessing Writing: A Critical Sourcebook. Eds. Huot and O’Neill. Boston: Bedford/St. Martin’s, 2009. 131-149.

Yancey divides the history of writing assessment into three “waves.” The first wave (1950-1970) focused on objective, non-essay testing that prioritized efficiency and reliability. The second wave (1970-1986) moved towards holistic scoring of essays, based on rubrics and scoring guides first developed through ETS and AP. The third wave (1986-present) expanded assessment to include portfolios (consisting of multiple examples of student writing) and larger, programmatic assessments. She looks at these waves from several perspectives: at how the concepts of reliability and validity are negotiated and valued; at the struggle between the knowledge of the assessment expert (and psychometrics) and the contextual, local knowledge of the non-expert teacher (and hermeneutics); and the move of assessment from outside and before the classroom to within and after the class. She voices concerns and directions for further scholarship and practice in writing assessment, challenging the field to look for ways to use assessment rhetorically and ethically to help students and programs develop and to produce scholarly knowledge.

Quotable Quotes

“It is the self we want to teach, that we hope will learn, but that we are often loathe to evaluate. What is the role of the person/al in any writing assessment?” (132).

Notable Notes

The role of the classroom teacher moving into writing assessment: in the 1st wave, testing specialists evaluated, but through the 2nd and 3rd waves, the roles of teacher and evaluator overlapped into the new discipline of writing assessment.

Questions: Who is authorized to speak about assessment? What is the purpose of writing assessment in education? Who shuold hold hte power?

the use of portfolios shifts the purpose and goals of the assessment: using pass/fail instead of scoring and communal grading moves more towards assessing a program and establishing community values than individual student assessment. Use different stakeholders to read?

waves fall into each other, aren’t strict lines that categorize what’s happening.

February 8, 2009

McLeod, The Pedagogy of Writing Across the Curriculum

McLeod, Susan. “The Pedagogy of Writing Across the Curriculum.” 149-164.

The literacy “crisis” of the 1970s, coupled with open admissions policies, led college administrators and writing instructors to discussions on how to improve students’ writing. One solution, pioneered by Barbara Walvoord and informed by British and American curricular movements spearheaded by James Britton and Toby Fulwiler, was writing across the curriculum, which has two complementary agendas: writing to learn and writing to communicate (often called WID, writing in the disciplines.) A WAC coordinator has the tricky job of modeling the pedagogy they are trying to get the faculty, who hail from all different disciplines, to teach: not to dictate what is correct and incorrect writing (rather, invite a discussion); have faculty write themselves; and encourage opportunities for faculty to talk with each other about their expectations and reactions to student writing. Some of the benefits of WAC and WID is that it increases students’ awareness of the conventions of different discourse communities and genres, it shows them that different fields (and workplaces) write differently based on their fundamental theories, missions, and values; and it highlights the fact that good writing is important in all disciplines.

Notable Notes

Attributes: student-centered, active learning, reflective, constant feedback loop from students to teachers to faculty

Berkenkotter and Huckin (genre theory); Elaine Maimon; Patricia Lindon; Britton (Language and Learning); Fulwiler (The Journal Book); Russell (“Rethinking Genre in School and Society”); Emig (Writing as a Mode of Learning)

WID emphasizes learning discourse conventions, genres, and the processes of acquiring knowledge in that particular field.

apprenticeship model

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