Revolution Lullabye

June 9, 2009

Freire, Pedagogy of the Oppressed

Freire, Paulo. Pedagogy of the Oppressed. Trans. Myra Bergman Ramus. New York: Herder and Herder, 1970.

Freire believes that only through liberatory education can the poor and oppressed begin to understand and reflect upon their social position and then take action towards permanent liberation and the restructuring of society. He distinguishes between the antidialogic banking model of education, whose passive, narrative education with content alien to students’ context mirrors oppressive society, and dialogic liberatory pedagogy, an active, praxis-oriented¬†pedagogy that treats students and teachers as joint partners in critically investigating generative themes and problems in society. Dialogic liberatory pedagogy is subjective and humanist, founded in commitment to others through love, humility, faith, and hope.

Quotable Quotes

methodology of liberatory pedagogy: conscientizacao – “learning to perceive social, political, and economic contradictions, and to take action against the oppressive elements of reality” (19).

pedagogy of the oppressed – “makes oppression and its causes objects of reflection by the oppressed, and from that reflection will come their necessary engagement in the struggle for their liberation” (33).

“To exist, humanly, is to name the world, to change it” (76).

“Education as the practice of freedom – as opposed to education as the practice of domination – denies that man is abstract, isolated, independent, and unattached to the world; it also denies that the world exists as a reality apart from men” (69).

Notable Notes

don’t forget the context – 1960s, poor Catholic peasants in Brazil

even with the dialogical model, leadership is necessary and important – connection to administration (167).

May 6, 2009

Ohmann, English in America

Ohmann, Richard. English in America: A Radical View of the Profession. Hanover, NH: Wesleyan UP, 1976.

This educational critique that focuses on higher education English departments, arguing that they are implicit in forwarding the capitalist, military, industrial agendas of the institutions in power (government, military, big business.) Ohmann argues against New Criticism for a return to the humanist, moralistic study of literature, one grounded in people and culture, not science. English departments, he claims, act to sort and sanction undergraduate and graduate students, assimilating them into an elite class. He draws his critique from an economic history of American industry (and its effect on education) and by looking at the MLA organization, the structure of English departments, freshman composition textbooks, the AP system, and institutional writings like The Pentagon Papers. His critique is profoundly affected by the Vietnam War, Civil Rights movement, and the students’ rights movement of the 1960s and 1970s, and he wants English departments to adopt Marxist, revolutionary agendas, to shed their apolitical stance and work for societal change.

Quotable Quotes

“Ther is just no sense in pondering the function of literature without relating it to the actual society that uses it, to the centers of power within that society, and to the institutions that mediate between literature and people. In other words, the function of literature and the role of English teachers cannot be understood except within the context of a given society and politics” (303) – texts do not exist and cannot be understood in isolation

“Meetings and memoranda are main instruments in planning, prime media of discourse in a complicated technological society” (191)

Composition arose “when the modern university was being grafted onto the old aristocratic college” (134).

“writing was no longer mainly a private and public art, but a tool of production and management” (93).

“I found it harder to believe that Humanity was being served well by the academic humanities, as our official dogma held, or that the professional apparatus we had invented was a rational structure and not a Rube Goldberg machine” (5)

Notable Notes

wants what is done by English departments and professors to matter, not just be contained in some specialist world that doesn’t communicate with reality.

looks at composition and its connection with gatekeeping. Chapter by Wallace Douglas about the Boylston Professorship at Harvard – move from classical, rhetoric as art to training for the professions, a hurdle to overcome

problem with emphasis on apolitical, childish, decontextualized, solitary, individual, private themes and attitudes towards students in freshman comp – we need to look at what kinds of writing actually are written, valued, and enact policy in the world, like the memos of the Pentagon Papers.

Pentagon Papers Рthe memos set an official argument, framed action, was a point (evidence) for future reference. THe memo kept policy makers in a particular frame of mind, following the warrants of the genre because the purpose behind it, the human costs of war, were never questioned or considered.  Connection to teaching professional writing, ethics

what does it mean to be a professional? independence, jurisdiction to allow others in, to train, assertion that your knowledge is special, needed, and only attained through long training in schools

industrial society values are tied up in the history of English and comp: efficiency, centralization, measurement, capitalism, management (261)

the shift to the knowledge economy raised the importance of universities to corporations, the college degree became the mark of socialization and training

professional, intellectual choices are political choices (304-305)

April 28, 2009

Yancey, Looking Back as We Look Forward

Yancey, Kathleen Blake. “Looking Back as We Look Forward: Historicizing Writing Assessment.” CCC 50 (1999): 483-503. Reprinted in Assessing Writing: A Critical Sourcebook. Eds. Huot and O’Neill. Boston: Bedford/St. Martin’s, 2009. 131-149.

Yancey divides the history of writing assessment into three “waves.” The first wave (1950-1970) focused on objective, non-essay testing that prioritized efficiency and reliability. The second wave (1970-1986) moved towards holistic scoring of essays, based on rubrics and scoring guides first developed through ETS and AP. The third wave (1986-present) expanded assessment to include portfolios (consisting of multiple examples of student writing) and larger, programmatic assessments. She looks at these waves from several perspectives: at how the concepts of reliability and validity are negotiated and valued; at the struggle between the knowledge of the assessment expert (and psychometrics) and the contextual, local knowledge of the non-expert teacher (and hermeneutics); and the move of assessment from outside and before the classroom to within and after the class. She voices concerns and directions for further scholarship and practice in writing assessment, challenging the field to look for ways to use assessment rhetorically and ethically to help students and programs develop and to produce scholarly knowledge.

Quotable Quotes

“It is the self we want to teach, that we hope will learn, but that we are often loathe to evaluate. What is the role of the person/al in any writing assessment?” (132).

Notable Notes

The role of the classroom teacher moving into writing assessment: in the 1st wave, testing specialists evaluated, but through the 2nd and 3rd waves, the roles of teacher and evaluator overlapped into the new discipline of writing assessment.

Questions: Who is authorized to speak about assessment? What is the purpose of writing assessment in education? Who shuold hold hte power?

the use of portfolios shifts the purpose and goals of the assessment: using pass/fail instead of scoring and communal grading moves more towards assessing a program and establishing community values than individual student assessment. Use different stakeholders to read?

waves fall into each other, aren’t strict lines that categorize what’s happening.

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