Revolution Lullabye

April 16, 2015

Sutherland-Smith, Retribution, Deterrence and Reform: The Dilemmas of Plagiarism Management in Universities

Sutherland-Smith, Wendy. “Retribution, Deterrence and Reform: The Dilemmas of Plagiarism Management in Universities.” Journal of Higher Education Policy and Management 31.1 (6 January 2010): 5-16. Print.

Sutherland-Smith argues for “sustainable reform” in how universities create and implement plagiarism policies (13). Sutherland-Smith contends that the dominant discourse in current university plagiarism statements and policies is grounded in the metaphors and language of criminal law. She points out that plagiarism is an issue that cannot only be addressed through detection and punishment; pedagogy (how students use sources) and ethics (the relationship among students, faculty, and scholars) also must play a role in how universities discuss and manage plagiarism.

Sutherland-Smith’s argument is grounded in her analysis of 18 plagiarism statements from top-tier universities in Australia, the UK, and the US. Sutherland-Smith analyzed the language used in these statements to define plagiarism, to describe the policies and procedures surrounding cases of plagiarism, and to explain the outcomes of the plagiarism procedure (7). Sutherland-Smith also analyzed 164 media reports about plagiarism published in two major Australian newspapers from 2004 to 2008. The media reports were used in Sutherland-Smith’s argument to describe what the public perception of plagiarism is, and how that perception relates to how universities describe and explain their plagiarism polices and procedures.

Sutherland-Smith points out that if universities hold students responsible for citation, universities must provide training/professional development for faculty across the disciplines for how to teach citation and other source use issues around plagiarism. This training, Sutherland-Smith argues, extends to all faculty, full-time and part-time, and is essential for creating and maintaining consistent policies and expectations , such as the use of plagiarism-detection software (9).

Quotable Quotes

“Universities need to re-examine long-held views that increasing punishment and detection processes results in deterrence of plagiarism and therefore a decrease in its appearance. The equation is faulty, as deterring students from engaging in acts of plagiarism does not necessarily mean they will take a path of academic integrity” (12).

“Focusing on developing plagiarism management strategies grounded in the web of ethical relationships that constitute the living organism of the university is a responsible place to start” (13).

“Clearly, the discourse of criminal law is the mainstay of many universities’ framing of plagiarism management policies and processes” (8).

“The very discourse describing students as plagiarism ‘offenders’ positions them as ‘wrongdoers’ even before any allegations are proven, which could cause some students considerable anxiety” (8).

“Universities also place the burden of understanding plagiarism and attribution conventions on students” (9).

“The discourse describing plagiarism incidents is often charged with emotion, closely aligned to the language of criminal law and reflects nations of retribution and punishment” (10) – the language of media/news reports. use of moral/immoral terms, panic about a plagiarism epidemic, linking and slippage between the terms plagiarism and cheating, blaming Internet/online source use for a unproven rise in plagiarism (10, 11)

Scholarship has shown that plagiarism “is certainly neither rampant nor unstoppable” (11).

Notable Notes

words used in university policies and procedures that relate to criminal law: penalties, sanctions, offender, accused. “Highly formal register” = legal language (8)

in these policies, there is ample language for penalty and punishment; not for reform and rehabilitation

November 18, 2014

Jamieson, Reading and Engaging Sources: What Students’ Use of Sources Reveals about Advanced Reading Skills

Jamieson, Sandra. “Reading and Engaging Sources: What Students’ Use of Sources Reveals About Advanced Reading Skills.” Across the Disciplines 10.4 (11 December 2013). Web.

Jamieson uses data from the Citation Project and research on student reading skills and source-based writing from 1985 to the present to argue for revised pedagogies in first-year writing courses and beyond that help students acquire the advanced reading skills they need to successfully write source-based research papers. Jamieson contends that college faculty assume students have more sophisticated reading skills than they actually do, and she shows through an analysis of the Citation Project data that students are often working with sources shallowly and on the sentence level.

Jamieson argues that students’ reading difficulties are not the result of Internet-based reading habits; rather, she questions whether the students profiled in earlier research studies in the 1980s and 1990s ever had strong, consistent reading habits.

Jamieson suggests that the traditional research paper, assigned in a majority of first-year writing courses in US colleges and universities, be reframed in order to help students read more deeply, thoroughly, and critically. Instead of asking students to search for and synthesize a dozen or more sources, Jamieson points out that the goals of synthesis and research could be achieved by asking students to write a research paper that includes common course readings and extends the conversation with two carefully-selected outside sources. Jamieson argues that this approach could help instructors focus on teaching reading strategies and summary skills.

Quotable Quotes

“It is my contention that it is an error to assume that the goals instructors believe are being fulfilled by reading are actually the goals their students set out to fulfill by reading. This error leads to additional erroneous assumptions about how and why students read, assumptions that obscure the skills and practices that writing courses across the curriculum should be teaching.”

“Shirley is the student who lives in our collective imagination so strongly that what we believe to be her skills and needs shape curriculum, assignments, information literacy programs, and academic integrity policies.”

“Since I have begun paying systematic attention to the ways students use sources in researched papers, though, I have come to suspect that Shirley never existed. I do not believe that in 1990 there were many college sophomores who were able to read and engage with sources in the way we believed they could. And I don’t believe their children can do so today. This has huge implications for the way we teach and assess student writing and the way we assign and guide student reading. Indeed, I believe it challenges us to entirely rethink our pedagogy and expectations across the curriculum.”

Citation Project data and earlier research “specifically points to the possibility…that first-year writers have uneven success in reading and writing from sources, even from one sentence to the next.”

makes a distinction between misuse of sources and plagiarism: “such source misuse requires a pedagogical intervention rather than judicial action, although I do not mean to in any way minimize the seriousness of the problem by making this recommendation.”

“So, we need to take a second look at Ashley and her peers, a group of students who might be considered the poster children of the first-year writers the Citation Project multi-institutional research has uncovered: well-meaning students who are often anxious about correct citation, sometimes but not always able to paraphrase correctly, and sometimes but not always able to identify relevant sources. These students rarely analyze or engage with the sources they cite and tend to simplify the arguments within them…Viewing this data in the context of research on the reading abilities of students from a generation before them challenges popular assumptions about the laziness of the ‘Google generation’ and emphasizes the need for new responses.”

“In order to engage with our students in this way, instructors will benefit from a less-is-more philosophy. If students are all assigned to read the same sources, summarize them and place them into dialogue with each other, they can evaluate each other’s work and understand that not all summaries are the same.”

“However, if we develop pro-active pedagogies designed to increase the abilities of our students to engage with texts and their understanding of how texts work in general and as sources within academic texts, we may actually avoid the necessity of developing reactive pedagogies to respond to patch writing and other misuse of sources. That seems like a very fine reading goal for us and our students to work toward.”

Notable Notes

Margaret Kantz (1990) published a study focused on “a typical college sophomore” (qtd. in Kantz) named “Shirely.” Jamieson introduces a typical sophomore of 2012, “Ashley,” who could be Shirley’s daughter. Jamieson argues that their problems writing with sources and reading with sources are largely the same, unaddressed in college pedagogy for over twenty years.

Uses Mary Lynch Kennedy’s 1985 study of students writing with sources

Great overview of studies of student reading, writing with and from sources from 1985 through today

explains the methodology of the Citation Project – coding for source use, frequency of source citation, page of source that was cited, type of source, etc. Definitions of the different kinds of source use: 1. direct copying, cited but not marked as quotation; 2. direct copying, cited and marked as a quotation; 3. patch writing; 4. paraphrasing; 5. summarizing

when students write from sources, they are not engaging with whole-text arguments

students need more than one year to acquire consistent, expert reading skills

students often read for research papers with the goal of retrieving information from sources, not synthesizing ideas or understanding the larger conversation

students have trouble transferring reading, summary skills into a larger research paper

Citation Project data:

  • only 6.3% of student papers contained summary; 91.4% of the student papers used quotation
  • 77.4% of all citations were from the first 3 pages of the source; 9.4% were from page 8 or later
  • 56.5% of sources were cited once, 76.1% were cited twice

few college writing assignments (from those collected in research studies about college writing assignments across the disciplines) have explicit guidance on how to read, the goals of reading, how to use sources.


January 29, 2013

Buckingham, Digital Media Literacies

Buckingham, David. “Digital Media Literacies: Rethinking Media Education in the Age of the Internet.” Research in Comparative and International Education 2.1 (2007): 43-55.

Buckingham, a well-known media education scholar from the UK, argues that the notion of media literacy must be extended beyond a the idea of a functional skill set based on search and evaluation techniques and instead, move towards critical understanding of how information online is authored, produced, and circulated amid social and ideological forces. 

In order to help media educators build students’ critical understanding of digital literacy, Buckingham offers his own framework (2003) of key concepts through which to analyze digital media: representation, language, production, and audience.  He argues that this framework resists the reductive checklists that are given to students to analyze and evaulate the internet and digital media.  These checklists, Buckingham contends, assume that there is some sort of objective truth that can be found in digital media – that the Internet is a neutral tool.  Instead, Buckingham argues, educators need to teach students how digial media (like all forms of rhetoric) is inherently biased and socially and culturally situated.  He points out that the Internet is more shaped by commerical interests than other forms of media.

Buckingham also argues that in order to truly build complex, critical digital literacy, students must not only consume (or read) media, but also produce (write) it. Production, he claims, gives students a deeper understanding of how digital media is built and functions.

Finally, Buckingham complicates the definition of access to include not just physical access to digital technology (computers, software, space), but also certain cultural and social competencies and awareness of digital media.  For example, he argues that even in technologically-rich cultures (like the US and UK), boys and white children have more access and greater compentencies online than girls and minorities.

Notable Notes

His framework (page 48-49)

  • representation – media don’t report, they represent reality.  What is represented? What is not?
  • language – how sites are designed, constructed, and how they function rhetorically (for example, the rhetorical function of hyperlinks)
  • production – who/why are sites produced for? who (or what institutions) affect and shape the information and what you see? impact of commercialization
  • audience – how to readers access sites? who are sites targeted to? how is this interactive online?

has literacy been reduced to a set of skills? Is the term meaningless when juxtaposed with so many other words? (43-44)

differences between functional and critical literacy (44)

the internet is not just an educational tool; how is it really used and consumed by people? how can we draw on that understanding, these grounded behaviors? (45)

functional digital literacy skills quickly become obsolete (like checklists) (46) – we’re looking to build lasting habits of mind

focus of Internet literacy is often safety (esp for children) – European Commission’s “Safer Internet Action Plan” (46)

Buckingham sees digital literacy as an extension of media literacy, media education

create a heuristic?

sources: Bettina Fabos (2004); Ellen Seiter (2005); Nicholas Burbules and Thomas Callister (2000) (they argue that users need to understand how the Web functions as a system)

Internet’s architecture shaped by “commercial, governmental, and military interests” (from Fabos) (47). – connection to who has power, agency, a voice online

replace the focus on locating/evaluating/producing information – broaden that to understanding digital media as “a cultural form” (45)

what we want users to behave like vs. how they actually behave online (45)

Quotable Quotes

“Rather than simply adding media or digital literacy to the curriculum menu, or hiving off ‘information and communication technology’ into a separate subject, we need a much broader reconceptualisation of what we mean by literacy in a world that is increasingly dominated by electronic media. This is not by any means to suggest that verbal literacy is no longer relevant, or that books should be discarded.  However, it is to imply that the curriculum can no longer be confined to a narrow conception of literacy that is defined solely in terms of the medium of print” (53).

“Most uses of computers in schools signally fail to engage with the complex technological and media-saturated environment in which children are now growing up. For the most part, they are narrowly defined, mechanical, and unimaginative. The answer to this problem is not to import ever more fashionable or ‘child-friendly’ devices, or to sugar the pill of learning with a superficial dose of digital entertainment. Digital media literacy represents a more rigorous – but also more enjoyable and motivating – way of addressing the educational challenges of the digital age” (53).

Access needs to be seen not merely in terms of access to technology or to technical skills, but also to cultural forms of expression and communication, and it needs to be acknowledged that students’ access to (and familiarity with) those cultural forms is itself likely to be quite variable” (52).

“In the context of media education, the aim is not primarily to develop technical skills, or to promote ‘self-expression,’ but to encourage a more systematic understanding of how media operate, and hence to promote more reflective ways of using them” (50).

“Media literacy involves ‘writing’ the media as well as ‘reading’ them” (49).

“Nevertheless, it should be apparent that approaching digital media through media education is about much more than simply ‘accessing’ these media, or using them as tools for learning: on the contrary, it means developing a much broader critical understanding, which addresses the textual characteristics of media alongside their social, economic, and cultural implications” (48-49).

“Digital literacy also involves a broader awareness of the global role of advertising, promotion, and sponsorship, and how they influence the nature of information that is available in the first place” (48)…..”growing importance of commercial influences – particularly as these are often invisible to the user” (48).

“Digital literacy must therefore involve a systematic awareness of how digital media are constructed [designed/produced], and of the unique ‘rhetorics’ of interactive communication” (48). – rhetorical function of links

Critical information literacy: “This means asking questions about the sources of that information, the interests of its producers, and the ways in which it represents the world, and understanding how technological developments and possibilities are related to broader social and economic forces” (46).

“Literacy education cannot be confined simply to the acquisition of skills, or the mastery of particular practices; it also must entail a form of ‘critical framing’ that enables the learner to take a theoretical distance from what they have learned, to account for its social and cultural location, and to critique and extend it” (45) draws on Cope & Kalantzis, 2000

Literacy education “entails the acquisition of meta-language” (45)

July 6, 2009

Harris, The Plagiarism Handbook

Harris, Robert A. The Plagiarism Handbook: Strategies for Preventing, Dectecting, and Dealing with Plagiarism. Los Angeles: Pyrczak Publishing, 2001.

Harris, whose book focuses on undergraduate plagiarism, argues that plagiarism is on the rise due to Internet resources and a lack of attention to the proper use and attribution of sources. He believes that plagiarism should be attacked at many angles, including writing plagiarism-resistant research assignments, using Internet tools to detect plagiarism, following plagiarism cases through the system to make it a serious offense for students, and giving students quizzes about source use and plagiarism and handouts to teach them how to cite sources. Harris argues that prevention is key to preventing both intentional and unintentional plagiarism. His book contains cartoons (that the teacher is allowed to copy and use in class) to start discussions with students about plagiarism.

Quotable Quotes

“each kind of theft” (1)

“how committed you are to fighting it” (1)

“simple rule” – charts, decision charts students use to decide to cite or quote, trying to simplify the citation decision

Notable Notes

gives 16 reasons for plagiarism – none to do with the difficulty of understanding sources: students are lazy, indifferent, careless, have no motivation, poor choices, procrastination, liars

teaching students about plagiarism:

  • give explicit definition
  • keep it positive – don’t assume all are potential cheats
  • show examples of proper use and plagiarism
  • discuss note-taking
  • dispel attribution myths
  • discuss why plagiarism is wrong
  • discuss benefits for students for citations
  • show them paper mill sites
  • tell them the consequences
  • signed integrity statement

June 8, 2009

Logie, Peers, Pirates, and Persuasion

Logie, John. Peers, Pirates, and Persuasion: Rhetoric in the Peer-to-Peer Debates. West Lafayette: Parlor Press, 2006.

Logie addresses through rhetorical historicism five terms used to describe sharing in the peer-to-peer debates (hacking, theft, piracy, sharing, and war), arguing that in order to understand the basis of the arguments on both sides of the debate, we must throughly investigate the language through which those arguments are being made. He believes that current copyright restrictions, including DMCA and the TEACH Act, are limiting the potential of people to create new culture and ideas. Logie argues that the composition classroom, where students are taught about the social nature of composition, plagiarism, individual authorship, and intellectual property, is an important place to talk with students about the rhetoric, language, and arguments behind these debates and to teach them how they might argue for a copyright law that allows for the creative potential the Internet promises.

Quotable Quotes

“And while the stakes of intellectual property debates ultimately devolve to who gets paid how much and when, the mechanism for assuring fair compensation—a limited monopoly right—has profound consequences for the circulation and availability of cultural artifacts.”(8)

“Digital media offer opportunities to efficiently archive and access the bulk of artistic and intellectual work created since the dawn of humanity.

This is not an overstatement. The potential intellectual and social utility of these now-hypothetical archives is staggering. Our challenge is to engage in a principled argument about how best to achieve this goal. ” (21)

“[RIAA and other big media corporations] had persuaded most Americans that the act of downloading copyrighted material from the Internet—whatever the context and purpose—was illegal. This victory was achieved in large part because of the successful rhetorical strategies of the content industries. And once these industries had persuaded Americans that downloading was criminal, the logical next step was to ensure that it was perceived as

violent crime.” (66)

“The past decade’s major legislative amendments to copyright—in particular the Copyright Term Extension Act, the Digital Millennium Copyright Act, the No Electronic Theft Act, and the TEACH Act—collectively constitute a disastrous appropriation of rights, privileges, and opportunities formerly understood to belong to the public at large. At the very moment that the most powerful cultural tool in human history—the networked personal computer—has become both widely available and largely affordable, the U.S. is busily drafting laws that reinforce a copyright model optimized long ago for the circulation of print-based media.” (141)

Notable Notes

how ethos and pathos play into both sides of the debate, Burkean identification

no statistical significance on the economic effect of P2P sharing on record companies…Napster failed to show how most of its activity was not the theft of protected commercial property, but rather sharing of free culture for the public good

piracy = theft by force, kidnapping, murdering, violence

Napster, P2P file sharers aren’t targetted for downloading but for uploading – for distribution

sound quality of MP3 and CD – two different purposes

limits ability of cut and pasting with purchased Adobe e-books

June 3, 2009

Apostel and Folk, First Phase Information Literacy on a Fourth Generation Website

Apostel, Shawn and Moe Folk. First Phase Information Literacy on a Fourth Generation Website: An Argument for a New Approach to Website Evaluation Criteria. Computers and Composition (Spring 2005).

Writing instructors need to change how they teach students to evaluate online sources both to account for students’ own “insider” knowledge of online sources and to account for the shift from alphabetic, text-centered criteria to integrated, multimodal digital design. Their article explains the current shift to incorporate visual literacies into the teaching of composition and gives an overview (with examples) of the four generations of web site design. Old standards for online site evalutions favored objectivity and centralization, ignoring a multitude of rich, subjective sources in blogs, forums, and multimedia. The digital world is rapidly evolving – we have to keep up, change our standards, and teach our students to use it well.

Quotable Quotes

“as websites evolve from their text-only beginnings, the book-derived criteria for evaluating credible sources are becoming increasingly archaic.”

“Here we see that teaching students to evaluate websites based on alphabetic skills may no longer be a sufficient way to equip students to critique and create rhetoric. As websites move into future generations of development, they will—if the current trends continue—incorporate more digital images, video and audio files, and animated images into their designs. If these communication devices are going to be used to orient our way of seeing the relation and display of information, then we need to empower our students with the ability to negotiate these sources so they can critique the information being presented.”

“Before dismissing our students’ current habits, then, we might look at how they are “making do” and how their strategies can be utilized and/or improved to impact our current ideas of website value in the classroom.”

Notable Notes

4 generations: 1. heavy text dump, no formatting 2. introduce tiled backgrounds, tables, frames, animated GIFs 3. thoughtful multimedia design (CDROM technology) 4. all of #3 plus non-CDROM technology like online shopping, IM, broadcasting live

student ways to evaluate sites: who links to this site? where did the original content come from? what does this site feel like? (“technological ethos”) where else is this information found?

opening up subjective possibilities in blogs gives students a whole new range of potential sources to enrich their research.

lots of Kress, Selfe

language isn’t the only semiotic system

June 1, 2009

DeSana, Preventing Plagiarism

DeSana, Laura Hennessey. Preventing Plagiarism: Tips and Techniques. Urbana, IL: NCTE, 2007.

DeSana, a high school English teacher and part-time writing instructor at NYU, argues that students need to learn how to do original, subjective, interested research, not just retell what their sources say. She relies on an literature-based writing assignment sequence that begins with freewriting responses to a primary source, then analyzing and adding secondary sources. Her goal is for students to be the dominant voice in their thesis-driven researched arguments, controlling their source use with effective quoting, paraphrasing, and summarizing. She believes that this kind of assignment sequence, coupled with a range of plagiarism-proof topics that dissuade students from relying on online cheat sources and recycled papers, will teach students to respect the research process and not plagiarize. She has a two-part definition of plagiarism: source of language plagiarism and source of information plagiarism, both equally important to address and curtail through the proper use of citation systems and explicit instruction in paraphrase. She gives teachers seven tools and steps for identifying plagiarism in their students’ papers, often positioning the students as savvy, lethargic, potential cheats who try to pull one over on the teacher because of their Internet expertise.

Quotable Quotes

“For those of us who are vigilant, we will enter the library as dectectives on the trail of a more intelligent theif” (97), on the importance of checking print-based sources in libraries (like secondary sources, CliffsNotes) for student plagiarism attempts

“Individuality self-destructs in endless mirroring” (111), doesn’t see much good in imitation

“We must begin to teach them how to exert control over the chaos – how to shape and academic argument” (7).

“We have to require the higher level of thinking that is achieved through the simultaneous processes of analysis and synthesis” (6).

The retelling that happens in a book report “is useless for several reasons – foremost among them is that it is a shabby mimicking of the original. No one can write Poe’s ‘The Fall of the Usher’ as well as Poe, nor should another writer attempt to” (4).

“Reporting is a retelling of ideas found; it is not an analysis of ideas found” (1)

“As educators, we must teach students to realize that they are required to have their own insights into source materials. They must engage in a dialogue with the sources they consult. Without this dialogue their research is meaningless and becomes a mere exercise of collecting and organizing” (1)

Notable Notes

absolute binary between research and retelling

works cited only includes one thing from rhet/comp, a article from Written Communication about text/source use and ESL students

one of her plagiarism prevention techniques she dubs “non sequitor approach” – having students turn in copies of online study guides to provide them for comparison with their essays

prescriptive writing process and sequence = freewriting, notetaking, outlining, writing

retelling (summaries) are not, in DeSana’s opinion, objective pieces of writing, not subjective researched positions

focus is on how to teach students to write thesis-driven, argumentative, taking-a-stand research essays

May 31, 2009

Erikson et al, A Web We Can Weave

Erikson, et al. “A Web We Can Weave: Considering Open Source Technologies in Our Classrooms.” Comupters and Composition. (Spring 2009)

This collaborative article, written by Erikson and his graduate studetns, investigates different Web 2.o interfaces and technologies the authors (who took a grad seminar class with Erikson) used in the seminar and also in their teaching. Erikson argues that it’s important for those in composition and rhetoric to become familiar with and be able to use the many Web 2.0 technologies students are using, the technologies that are part of their everyday litearcy activities. Drawing on Selber’s three-part literacy framework, Erikson advocates for more productive, rhetorically literate assignments and classroom teaching practices to make composition more relevant and answerable to the multiliteracy needs of today’s students. The graduate students each wrote a section about a different technology – YackPack, Facebook, GoogleDocs & GoogleGroups, podcasting, and wikis.

Quotable Quotes

“the use of Google and many other tools of the digital age are an integral part of the history of literacy in Western culture; to ignore this fact and to bridge the gap between students as digital natives and faculty as digital immigrants certainly calls the question about which group is truly more ignorant and less literate”

Questions teachers need to ask before adopting a Web 2.0 technology: 

What are my course goals for using this technology?
What goals can this technology help me accomplish?
What do I want my students to do with technology?
What are the ethical questions to consider when implementing any new media technology into the writing classroom?
How can I expect my student population to respond to new media?
Are there issues of access, funding, literacy, time, or space that I need to examine beforehand?

“the constant reminder that these tools were the ones in use by our students, and lest we consider those irrelevant to the concerns of English studies in general and Rhetoric and Composition in particular, we can only turn to the current national election process to see the role of tools like YouTube in the candidate debates, blogs in disseminating political views by pundits and citizens alike, and how can one forget Barack Obama’s early morning text message to his supporters about his Vice Presidential choice. Because these tools are ones in the hands of today’s students, defined as digital natives (Prensky, 2001), they should be ones worthy of functional, critical, and particularly rhetorical literacy education within graduate programs in Rhetoric and Composition, not only to transform the undergraduate writing curriculum but also to change the presumption that all academic discourse is print in nature, particularly in light of concerns by the Modern Language Association (2006) about the crisis in scholarly publishing and the impact on print production processes as well as on the academic reward system for faculty caught within the paradigm shift between the print and the digital.”

Notable Notes

see what the students are using and use that – don’t just rely on Blackboard because it’s safe and easy

great YouTube video by Michael Wesch at Kansas State University

May 20, 2009

Klausman, Teaching about Plagiarism in the Age of the Internet

Klausman, Jeffrey. “Teaching about Plagiarism in the Age of the Internet.” Teaching English in the Two-Year College 27.2 (1999): 209-212.

Klausman explains how he uses internet search engines to combat student plagiarism off the internet, describing what he understands as patchwork plagiarism and paraphrase plagiarism. He claims there is a rise in plagiarism due to the Internet and illustrates to his students how fast and simple it is for him to check up on their use of internet sources by using the “find” feature on the websites and web addresses included in their bibliographies. He claims he now spends much more time teaching students how to appropriately work with texts.

Notable Notes

dated – 1999, pre-Turnitin

only checks the sources students put in their works cited page

May 18, 2009

Walden and Peacock, Economies of Plagiarism

Walden, Kim and Alan Peacock. “Economies of Plagiarism: The i-Map and Issues of Ownership in Information Gathering.” In Originality, Imitation, and Plagiarism. Eds. Eisner and Vicinus. Ann Arbor: U of Michigan P, 2008. 133-144.

Walden and Peacock give an overview of the issues in students using Web-based sources for their papers, specifically the contradiction between the Web seeming like a free, publicly-owned space (like a park) and the reality of the privately-owned information in it, which must be cited and used properly. They developed the i-map, a heuristic students can use to keep track of their research processes to make sure they properly document what they have found. They argue that there has been an additional onus placed on students to evaluate sources in a way they did not need to when they relied on library books and articles.

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