Revolution Lullabye

May 28, 2009

Lederman, Pushing the Envelope on Copyright Exemptions

Lederman, Doug. “Pushing the Envelope on Copyright Exemptions.” Inside Higher Ed. 30 Dec 2008.

Congress granted film studies professors permission to copy and assemble scenes from DVDs for use in their classrooms so they did not need to waste time skipping from scene to scene. Now, there is a move to expand this right (which is not allowed under current media copyright restrictions) to all teachers, regardless of field or level, for pedagogical purposes. Teachers are arguing that as literacy education becomes increasingly multimodal, it is essential for them to have the right to prepare the best materials for teaching their students.

April 15, 2009

Huot, (Re)Articulating Writing Assessment

Huot, Brian. (Re)Articulating Writing Assessment for Teaching and Learning. Logan, Utah: Utah State UP, 2002.

Assessment needs to be rearticulated by composition and rhetoric scholars as an important, necessary part of writing scholarship and teaching. Huot addresses assessment in a different way in each chapter (highlighting its connection to student response, teaching students self-assessment, need to create a field of writing assessment, and a history of writing assessment practices), but all of his studies and discussion point to central principles for his new theory and practice of writing assessment. Assessment must be site-based, locally controlled, context-sensitive, rhetorically-based, and accessible (to students, public, teachers, adminstrators.) Composition and rhetoric scholars and teachers are doing themselves no favors by abdicating assessment to education or to self-appointed writing assessment specialists; assessment is an issue that must be taken up by every WPA and teacher.

Quotable Quotes

“Instead of envisioning assessment as a way to enforce certain culturally positioned standards and refuse entrance to certain people and groups of people, we need to use our assessments to aid the learning environment for both teachers and students” (8).

“People who write well have hte ability to assess their own writing, and if we are to teach students to write successfully, then we have to teach them to assess their own writing” (10)

Notable Notes

assessment is articulating what we value; it marks our identities as teachers, programs, and a field; how do our judgments get articulated into our assessments?

Chapter 2 Рneed to connect comp/rhet with K-12 assessment to create  a writing assessment subfield, pooling knowledge and methods, talk about validity

Chapter 3 – need to teach students how to assess their own writing; writing as reflective judgment; use portfolios to full advantage

Chapter 4 – history of assessment practices

Chapter 5 – teacher response to student writing (draw on Phelps) and the contraint inherent in the act of reading

Chapter 6 – writing assessment is treated like a technology. It needs to be reimagined as research. This changes the role and activity of the assessors (151)

Chapter 7 Рthe practice of writing assessment needs to be reflective, conscious, theoretical, and instructive. Assessment can be social action, something that the field claims again, led by WPAs and teachers. (175)

movement away from objective rubric-like assessments, more based on community questions, inquiry, research, and practice

technocentric argument (Hawshier) – the tool of the assessment should not drive the practice

February 13, 2009

Hansen, Consuming Composition

Hansen, Kristine. “Consuming Composition: Understanding and Changing the Marketplace of College Writing.” In Market Matters: Applied Rhetoric Studies and Free Market Competition. Ed. Locke Carter. Cresskill, NJ: Hampton Press, 2005. 243-269.

The public school system and higher education need to establish K-U partnerships and state curriculum boards that will allow them a space in which to develop and share goals, values, and curricula, enabling them to together reframe education in terms of outcomes rather than as a commodity. Hansen shows the need for such collaboration by illustrating how the lack of communication between secondary schools and colleges (highlighting writing curricula and expectations) leads to the rise of for-profit corporations offering college credit for courses that aren’t equivalent, intellectually and developmentally, to college courses. She targets AP classes and dual enrollment classes, arguing that their popularity stems from a new consumer perspective on education: students and parents see them as economical and efficient, the chance to get three college credits for under $80. The belief that it is possible to buy an education, that courses offered at an online-only institution like University of Phoenix or by under-trained AP high school teachers offer the same educational value to students as a college course, is false and disadvantages students. Compositionists need to work to establish these K-U partnerships if they hope to compete against the attractive, if low-quality, opportunities being endorsed at the high school level.

Quotable Quotes

“With more diverse offerings and better articulated purposes and outcomes for writing instruction, it would be easy to persuade (or require) students to get more education in writing at college regardless of the kind of instruction they had in high school or how good it was” (267).

“[Parents and students] take the credit hours the student has earned as a token of preparation, rather than asking for other evidence of the students’ readiness to write successfully in college” (259).

“When the private good of selective higher education bumps up against the quasi-public good of nearly universal secondary education, the latter is seen as outdated, inefficient, and weak” (255).

“Universities are construed as sites of production, professors as laborers, courses as products, and students as consumers of those products” (246).

“Education is increasingly viewed as tantamount to a product to be purchased, rather than as a long-term process that promotes the development of individuals’ intellectual, social, and personal abilities, preparing them for the demands of participation in a democratic society” (243).

Consumer culture: it is possible to buy an education – not go through a “laborious process of maturing and developing under the guidance of mentors” (248).

Notable Notes

public good v. private good

the actual economic value (not even counting educational value) of selective higher education institutions is much, much higher than less selective higher education institutions (more scholarships, resources, etc.) High school merit is crucial for success in higher education in this way

capitalist economic marketplace goals and pressures have been folded into education

commodification, consumer culture

the junior year of high school is the last one that counts for college entrance; the senior year is largely wasted – final stage of secondary school is mismanaged and allows for AP and dual enrollment programs to enter the high schools, offering credit hours to be used to exchange.

issues with AP and dual enrollment: teacher training, inconsistent curriculum, supervision, no screening of students, some students taking it for high school credit and some for college, the money made in the system

need to understand developmental needs of students K-U – create appropriate outcomes for writing at all levels. Expand writing courses at the higher education level.

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