Revolution Lullabye

October 15, 2013

Dadas, Reaching the Profession

Dadas, Caroline. “Reaching the Profession: The Locations of the Rhetoric and Composition Job Market.” College Composition and Communication 65.1 (September 2013): 67-89. Print.

Dadas argues that the discipline and specifically hiring committees need to investigate the locations  in which the composition and rhetoric job market process occurs and work to make hiring practices in these spaces more humane, ethical, and non-discriminatory. Dadas interviews 57 rhetoric and composition scholars who have either gone on the job market and/or have been a member of a hiring committee within the past ten years. She codes the transcripts of her interviews through grounded theory in order to find trends and patterns in the responses. Dadas’ article is organized around three locations of the composition and rhetoric job market: the phone interview, the Internet (including video/Skype interviews and the academic job wiki), and the MLA convention. She notes how each of these locations have embedded discriminatory practices: the phone interview, with its lack of visual cues, relies on the auditory modality and can force candidates to disclose disabilities that they otherwise wouldn’t; video/Skype interviews overemphasize appearances, visual cues, and the use of a sometimes spotty and new technology; the academic job wiki can increase candidate anxiety and spread false information about searches; and the MLA convention is cost prohibitive to many graduate student candidates who wouldn’t have normally attended the conference because it is not a central one to hte field.

Dadas focuses on the MLA convention timeline, asking whether or not it is in the best interest of candidates and search committees to have a coordinated timeline for the job search process. She points out that having a common timeline helps candidates compare and negotiate job offers, but questions whether or not the MLA conference – a conference that can be seen as marginalizing the field of composition and rhetoric – is the appropriate fulcrum for the comp/rhet job search process.

Dadas argues that hiring committees should practice empathy and think from the candidate’s perspective when deciding on the job hiring process and the locations in which they will interview candidates.  Dadas points out that one simple way to do this is for hiring committees to ask candidates what hiring practices could help them perform their best in the job search process, and that fair and ethical hiring practices don’t necessarily mean the same hiring processes for all candidates.

Notable Notes

need to look at timing and structure of job searches (84)

2008 recession led to an increase in phone/internet interviews over MLA convention and a jumping of the job search timeline by many institutions (80).

looks at the literature on the job market – almost all the scholarship focuses on the health of the market, the number of jobs, not the job search itself

relies on theories of location/place/space, both virtual and non-virtual (68)

Quotable Quotes

“We need to educate [equal opportunity offices] that ‘fair’ does not mean ‘the same for all.’ Only in challenging these institutional constraints can we work toward a more flexible process that allows all candidates to perform their best.” (85).

“Based on the dissatisfaction of many of the survey participants and on a decades-long acknowledgement that rhetoric and composition occupies a marginalized position within English studies, I pose a question to our discipline as a whole: is it best that we make MLA the center of our hiring universe?” (83).

“We have to talk about [the job market]. We have to theorize it. We have to give grad students some control over the parts that they can control so that the parts that they can’t control don’t feel so overwhelmingly difficult. And I think we should do that as a discipline, not just program to program” (Survey participant, qtd in Dadas 67).


December 31, 2011

Aslup, Janet, et al., “Seeking Connections, Articulating Commonalities”

Aslup, Janet, Elizabeth Brockman, Jonathan Bush, and Mark Letcher. “Seeking Connections, Articulating Commonalities: English Education, Composition Studies, and Writing Teacher Education.” CCC 62:4 (June 2011) 668-686.

In the Special Symposium on the NCTE/CCCC Relationship

The authors explain how the SIG on Composition-English Education Connections has helped define a forum for groups of people interested in the training and support of writing teachers who normally would not cross paths, either identifying with NCTE or CCCC. This article explains the history of the SIG’s creation (first meeting in 2001), the effects the work of the SIG have had on scholarship and curriculum, and argues that the work of the SIG can form a launching point for future NCTE/CCCC collaborations that focus on the critical examination and research of pedagogy.

The authors note three themes emerging from the work of the SIG: 1. the development of a writing teacher identity that moves “across the borders” of NCTE and CCCC (674); 2. practical teaching and mentoring suggestions; and 3. innovation and growth in scholarship (connections with technology, writing centers, collaborations.) They also point out that the informal dialogue that happens at the SIG is crucial – the SIG gives those who practice writing teacher education the time and space to talk and come up with ideas (677).


The co-authors are former and current Composition-English Education Connections CCCC SIG leaders, whose members include WPAs, writing center coordinators, writing faculty, writing methods faculty, fieldwork supervisors, and National Writing Project directors (668)

topics discussed in early SIG meetings: Portfolio assessment, writing teacher identity, National Writing Project, literature/writing divide in teacher education

lists sample presentations given at the SIG meeting – other than those presentations, though, the meetings are informal, dialogic

Robert Tremmel and William Broz’s Teaching Writing Teachers of High School English and First-Year Composition as a foundational text

Good timing for the SIG: the journal Pedagogy  in comp/rhet signals the field’s interest in pedagogical issues, Common Core State Standards and push for college-readiness curriculum, WPA’s Framework for Success, NCTE and CCCC statements on the teaching of writing and 21st century literacies (678-679)


Books/articles/scholarship alone cannot help writing teacher educators grow and develop: “Individuals must be prompted to come together, to convene at a time and place conducive to critical discussion and the sharing of ideas.” (677)

“These questions and the kinds fo answers that SIG presentations provide are inherently linked to larger research and policy efforts, and they are far more complex and central to the field than simply ‘what works’ in the classroom. The position and policy statements of NCTE and CCCC are the foundation for strategic initiatives, professional development, publishing, and professional conferences and hence influence the teaching and learning of English language arts around the United States” (679).

February 23, 2009

Porter et al, Institutional Critique

Porter, James E., Patricia Sullivan, Stuart Blythe, Jeffrey T. Grabill, and Libby Miles. “Institutional Critique: A Rhetorical Methodology for Change.” CCC 51.4 (June 2000) 610-642.

Composition and rhetoric scholars need to begin seeing the institution itself, as a rhetorical and spatial entity, as the place where they might critique and enact change. Working with the situated institution prevents composition and rhetoric’s critiques and calls for change from being to global and idealistic or being so local (classroom-level) that it does not effect the institution as a whole. Institutions range from the university to the school, legal, and political system. Institutional critique as a methodolgy draws on postmodern mapping and critical theory, particularily investigating the rhetorical and spatial construction of institutions, the power dynamics at the boundaries, and the multiple historical and social perspectives of those in the institution. This kind of methodology begins to push the gap between research and service and might be one way of validating and rewarding the rich intellectual work that compositionists and rhetoricians do that is all but thrown away with the label of “service.” Rhetoric and composition as a field is uniquely equip to practice institutional critique.

Quotable Quotes

“Our basic claim is this: Though institutions are certainly powerful, they are not monoliths; they are rhetorically constructed human designs (whose power is reinforced by buildings, laws, traditions, and knowledge-making practices) and so are changeable” (611).

“We focus, then, on institutions as rhetorical systems of decision making that exercise power through the design of space (both material and discursive)” (621).

“Institutional critique is, fundamentally, a pragmatic effort to use rhetorical means to improve institutional systems” (625).

Notable Notes

projects like where a writing center is physically situated on campus; how and when during the publishing process a handbook is open for revision & the various stakes that go into such a production; Ellen Cushman’s work with Quarytown in The Struggle and the Tools.

advocacy – action to enact change. Can’t stop at critique. It fills in the gap between macro-level ideals and mirco-level classroom practices

equating the discipline with the institution ignores the material constraints the discipline has to work in (619)

design relationship – between rhetoric and space

David Sibley Geographies of Exclusion, postmodern geography

February 8, 2009

Hobson, Writing Center Pedagogy

Hobson, Eric H. “Writing Center Pedagogy.” 165-182.

The writing center provides a space and a place for a unique pedagogical experience that cannot be replicated in the writing classroom: it is an individualized, collaborative learning relationship between student and tutor that can last beyond one semester and does not have to worry about a final evaluative grade. The early writing centers were considered labs designed to handle remedial students and non-native students – those students that no one knew how to “deal with” in the writing classroom – but has since transformed to a university-wide service that is often on the forefront of instructional technologies and collaborative principles. Writing center pedagogy is based in social constructivist theories, and the one-on-one peer tutoring relationship emphasizes how knowledge and learning emerges out of soical relationships.

Notable Notes

foreground individual development and goals, not grades

institutional space and place of the writing center: physical location, where it is administered from, how it is staffed and administered

OWL online writing lab; Hobson “Wiring the Writing Center”

Stephen North “The Idea of a Writing Center”; Kinkead/Harris, Writing Centers in Context: Twelve Case Studies; Petit, “What Do We Talk About;” Ede, Hemmeter, Hobson, “Maintaining Our Balance”; Bruffee “Peer Tutoring”; Harris “Talking in the Middle”; Ede “Writing as a Social Process”; Gillam “Writing Center Ecology”; Lunsford “Collaboration”; Murphy, Law, and Sherword; Wallace/Simpson; Murray; Harris “Teaching One-to-One”; Clark, “Writing in the Center”

February 3, 2009

Peeples, Rosinski, and Strickland, Chronos and Kairos, Strategies and Tactics

Peeples, Timothy, Paula Rosinski, and Michael Strickland. Chronos and Kairos, Strategies and Tactics: The Case of Constructing Elon University’s Professional Writing and Rhetoric Concentration. Composition Studies 35.1 (Spring 2007) 57-76.

Using two scenarios (discussions on new faculty hires and acquiring space), the authors show how the complementary perspectives of chronos/strategy and kairos/tactic work as a theoretical framework for describing how programs are designed, developed, and enacted. Their theory draws on both the ancient Greek notions of time (chronos and kairos) and de Certeau’s terms to describe the space from which a person acts (strategy (one’s own, independent) and tactic (undefined, opportunity-driven.)) Their piece attempts to bring case-study story-telling, a method often used by administrators to explain program design due to the very local, contextual nature of program creation, up to a theoretical level by introducing rhetorical terms that can describe common techniques and methods faculty use to carve out their own institutional spaces through majors, minors, and concentrations.

Quotable Quotes

“What we find most powerful about this framework is the way it emphasizes the rhetorical, productive, compositional nature of program development; we write and re-write our programs. As a heuristic framework, the combination of chronos/kairos and strategy/tactic helps with the ongoing inventional process of program development….gives us a way to move beyond situated awareness and toward applying rhetorical analytical skills to our own efforts at program development.” (58)

Notable Notes

emphasis on tactics is not often talked and theorized about in journals, giving a space for it here. Kairos is a key component in the development of programs.

our action – strategy and tactics – form our social realities and our discourse (58)

we need to be more deliberate and conscious of what courses of action we are taking to develop programs, to be aware of the moves that are available to us.

Phelps, The Institutional Logic of Writing Programs

Phelps, Louise Wetherbee. “The Institutional Logic of Writing Programs: Catalyst, Laboratory, and Pattern for Change.” In The Politics of Writing Instruction: Postsecondary. Eds. Richard Bullock and John Trimbur. Portsmouth, NH: Boynton/Cook Publishers, 1991. 155-170.

Instead of focusing on what the relationship between rhet/comp and literature can be in an English department, Phelps takes a step back, widens the scope, and discusses what a independent writing program can do for the institution as a whole. Higher education is going through a multifacted crisis (the devaluing of teaching and undergraduate education due to the focus on research, the absence of community due to specialization, and the employment of under-paid, under-trained part-time and graduate teachers), but the theoretical foundations of a writing program makes it a prime candidate for a site of institutional change: the field of composition highly values quality pedagogy and undergraduate education; a writing program serves the whole institution and therefore must reach out across disciplines; and the large, diverse cohort of teachers allows for the construction of professional communities. Writing programs must confront several challenges to be viable. In addition to negotiating the local political and institutional constraints of each university, writing programs have unique budget, space, technology, labor, tenure, evaluation, and structural needs that must be administratively met in order for the writing program to be viable.

Quotable Quotes

“The most important contribution I think writing programs can make, though, with respect to higher education at large, is to exemplify the struggle to foster community in the face of the prevailing mood of skepticism, critique of all cultural institutions and their traditions, radical individualism, and loss of fellowship that troubles our colleges and universities” (167) – through community building and professional development of professors, part-time, grad students, undergraduates

“With luck, and propitious local circumstances, this situational fit enables writing programs to become a positive force for change by enacting their own logic: operating experimentally and hypothetically; nuturing a fragile sense of community in talk, text, and collaborative work; and seeking interdependencies where they can find them.” (168)

“the concrete practices of community” (167)

Notable Notes

rhetorical concept of kairos – fitting into the historical and situational context – by having writing programs lead institutional change (168) 

the field of rhetoric/composition as a model, a logic for writing programs to develop and follow

get out of the trap of quibbling over departmental structure

use Syracuse as a model

Ernest Boyer (Carnegie Foundation) – higher ed reform that Phelps bases her argument for writing programs on

Themes of the disciplines that work for institutional change:

  1. writing helps students become active learners and meaning-makers
  2. common literacy strategies adapted for diverse rhetorical situations
  3. collaborative work
  4. communicate patiently through hands-on talk and text – create a community (163)

Challenges 164-166

Writing program acts as collaborator and as a catalyst, an experimenter, for change.

January 12, 2009

Alexander, Ishikawa, & Silverstein, A Pattern Language

Alexander, Christopher, Sara Ishikawa, and Murray Silverstein. A Pattern Language: Towns, Buildings, Construction. New York: Oxford UP, 1977.

This architectural guide is the second book of a larger work that attempts to define a theory and language for constructing spaces that allow for optimal human happiness and well-being. Alexander et al wrote this book in response to the increasingly unpoetic architectural decisions of the mid-twentieth century, which resulted in large, sprawling buildings and cities that had no elegance or life. The authors present 253 patterns, design problems and their solutions, in the book’s three different sections: towns, buildings, and construction. “Towns” describes how larger, global spaces of cities, countryside, communities, and neighborhoods can be organized; “Buildings” details the attributes that should be considered when constructing spaces and places of work, life, and recreation; “Construction” explains the type of materials and structures that should be used in buildings. Alexander’s patterns contain similiar themes that on the surface might seem contradictorary: harmonious but heterogeneous, complicated and compressed but simple and open. All the patterns are shaped around the rhythm of human life and call for balance, diversity, and specific boundaries. The patterns are further organized by asterisk marks: those that are followed by two are patterns that Alexander believes are universally deep, true, and sound; those with one he is less sure of their universaility, and those with none suggest at patterns that seems to make sense but is not engrained in the soul of human existence. These patterns are not supposed to be the foundation of some master society plan; rather, a society based on this pattern language can only emerge organically from the bottom up, as each individual designer follows the patterns to design their own space, big or small (3).

Quotable Quotes

“No pattern is an isolated entity” – a whole theme about the problem of isolation (of old people, of homes, of workplaces, of shopping areas, of little kid sleeping areas. Human beings, it seems, should be in communication with each other and interact with one another. Human life is a network.)

“This is a fundamental view of the world. It says that when you build a thing, you cannot merely build that thing in isolation, but must also repair the world around it, and within it, so that the larger world at that one place becomes more coherent, more whole; and the thing which you make takes its place in the web of nature, as you make it” (xiii).

“Many of the patterns here are archetypal – so deep, so deeply rooted in the nature of tihngs, that it seems likely that they will be a part of human nature, and human action, as much in five hundred years, as they are today” (xvii)

It is a language “which can make people feel alive and human” (xvii)

Compressing patterns is “the only way of using a pattern language to make buildings which are poems” (xliv)

“The suburb is an obsolete and contradictory form of human settlement” (30).

“The full cycle of life [needs to be] represented and balanced in each community” (145).

“People need an identifiable spatial unit to belong to” (81)

“No one stage in the life cycle is self-sufficient” (189)

Notable Notes

Each of the patterns works in concert with the others. They are organized by general magnitude -the large ones are completed by the smaller ones, the smaller ones compliment the larger ones. (xii)

There are many pattern languages; every society and culture will form its own

It is a network: create structure, embellish structures, embellish embellishments.

The goal is to make a space that resonates a poem: put together the patterns so they are dense, overlapping, and compressed, so that the space becomes meaningful, illuminated, economical, and profound.

Importance of the life cycle and interaction with all people: the old, the young, men, women

Patterns like child caves, four-story limit, row houses, still water, grave sites, roof garden, old age cottage, fruit trees, etc.

Lupton, Thinking with Type

Lupton, Ellen. Thinking with Type: A Critical Guide. New York: Princeton Architectural Press, 2004.

This book, written for both designers and students, gives a broad overview of the histories and theories of typography and broader text design along with specific techniques on how to analyze and create type, text, and entire documents. The book is divided into three major sections – letter, text, and grid – and each section begins with a historical essay followed by several practical examples of the design elements discussed. Lupton focuses particularily on how typography has answered the typographic and layout design challenges of digital media. Design, she argues, has now expanded beyond the printed page, as designers must create transmedia designs, designs that move from web pages to captions to pull quotes to logotypes to album covers. Designers, Lupton also argues, must attend to the needs of the audience, and today, the reader has become the user, whose time and attention is a valuable commodity which must be accomodated in the design of letters, text, and grids.

Quotable Quotes

Typography is…

“a tool for doing things with: shaping content, giving language a physical body, enabling the social flow of messages” (8)

“what language looks like” (1)

“an interface to the alphabet” (75)

“by and large, an art of framing, a form designed to melt away as it yields itself to content” (115)


“is as much an act of spacing as an act of marking” (67) Importance of white space

“has become a ‘transmedia’ enterprise, as authors and producers create worlds of characters, places, situations, and interactions that can appear across a variety of products” (75)

“is the art of situations” (193) Designers respond to a need, a problem.

“The history of typography is marked by the increasingly sophisticated use of space…Space has become more liquid than concrete, and typography has evolved from a stable body of objects to a flexible system of attributes” (68).

Users instead of readers: “searching and finding, scanning and mining” (76).

Notable Notes

Shift in cultural values throughout typographic history: humanist in the Renaissance and 15th century Italy (looked like handwriting), Enlightenment (fluid, fancy, sharp, clean, precise, use of the grid), Industrialization (monster fonts with big, bold faces made from wood-cut type), Arts and Crafts movement (pure, round, balanced, geometric shapes), Post WWII (mathematical, universal language, Swiss grid design), digital revolution (low resolution, bit-map pixel fonts), late 20th century (play with variation with computer capabilities.)

Type family includes regular, bold, italic, bold italic, small caps, lining numerals, non-lining numerals

databases create non-linear structures, space instead of sequence (69)

Barthes, Derrida, Ong, Raskin, Lunenfeld

Style sheets allow designers to think globally about the design of the entire structure instead of just the present page (74).

The computer has saved text – a “digital phoenix” (Lunenfeld quote – 76) because it emphasizes the printed word in a way TV and film do not.

Grids are about control, establishing systems for organizing content. Even the computer screen, which has so many curves and spontaneous elements, is based fundamentally on grids. This was emphasized with HTML tables, and Flash moves away a little bit from that, though it is based on an x and y grid. (113, 132)

for elegant design, do not have more than three visual cues for each level of hierarchy: symbols (A, B, C), indents, line breaks, font change (keep x-height the same), alignment change, bold, italic, color change, underline, small caps

Blog at